Donna,
I have unfortunately had the lovely displeasure of crutches a few times
( broken arms, broken feet, popped knees, busted thumb with a broken
tib-fib). I started to use a waist pack, I started with the Lowe Pro
Orion AW and now use the Domke OutPack waist pack. When shooting I
place the crutch out in front of me and use it as a sort of mono-pod.
I hung a single camera a short zoom off my right shoulder, even when I
cracked my right leg (or left leg as well) because it was easier to grab
since cameras are made for righties (I use my left hand more often) .
Use the crutches as your balance. Cruthces ALWAYS SUCK, but they can be
used to your advantage.
A good chunk of what I do is breaking news, and crutches slow me down
alot , but i made do, I went to the 180f2.8 rather than the 28f1.4, and
300f2.8 rather than my 80-200f2.8. I found standing on my roof with a
long lens worked OK for me.
Rule of thumb, I have cut my last few casts off after 2-3 weeks, not a
good idea. I cut 'em off so I could go chase
news/snowboarding/surf/skateboard/climb , not something I suggest. I
am regretting it just a lil' bit now that I need to have a few joints
worked on.
Hope all works out for you.
Steven E. Frischling
News Photographer/News Photo Editor
In Search Of A Good Stress Managment Program
1(516)791-6114
1(800)662-5306
ste...@frischling.com
http://www.frischling.com/steven
-
-What he loves might kill him, but he's got no choice, he's a different
breed, with a voice down deep inside, that's screamin' he was born to
ride
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
Have anyone had experience doing their *normal* PJ duties using a cane or
crutches? Have you seen a fellow PJ cope with such a problem?
If you have, are there any tips/coping skills you can share?
Many thanks in advance.
Donna Riley-Lein
Do...@valley-views.com
http://www.valley-views.com
I'd got caught in a tornado several years back and had torn the muscle in the
arch of my right foot. I ended up on crutches for several weeks.
The thing that you need to remember is that you're not as mobile as you
normally are. I also had to go around with no shoe on that foot, which made
things even more uncomfortable. To top it off, I was working for a
thoughtless-pig-of-a-boss who (really, this is no lie) sent me out to a
construction site with broken glass and loose dirt. Try walking on crutches
through loose dirt or sand- no fun. He also sent me onto a school trip to a
nature trail on a mountain here in Alabama.
The things that I learned are that you need to have a fanny pack- almost
mandatory. Try to carry a camera bag with crutches...Another thing that I
learned is that you need to find a position. I found that if I kept my right
foot elevated, that I could lean on the crutches with my armpits and steady
it all with my left leg, that I could stay pretty still. I've always bee a
really steady shooter and it's something that I take a lot of pride in (my
record is 1/2 a second with a 300 2.8, hand held- but I really don't expect
any of you to believe that... ;-) ) so, shooting steady is something that I
have come to consider good technique.
The one thing that I really had a hard time with was shooting in a kneeling
position, which I finally concluded that it was almost impossible to do
without sitting. So, I got myself a little fold out cloth chair (fishing
chair from Wal Mart) and used it. It was low enough and I could get up with
little discomfort from it.
Hope this helps you. You didn't say in your note if you were on crutches or
not, but if you are, I hope that it will be for as short a time as possible.
It's no fun trying to shoot like that.
Cordially,
Mark Lent
former gimped-up photojournalist...
Having dealt with occasional gimpness at awkward times, my secret has
always been a good sturdy monopod, affectionately known as my cripstick.
Have Bogen will travel.
Miles B. Norman
Staff Photographer
Argus-Press
I haven't been that lucky, but check out
http://www.geocities.com/Eureka/6991/flute1.jpg. I shot exposed it at 1/15
@ f/2.8 with the Canon 70-200 f/2.8L at 200 mm.
Billy
_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/
**************************************************************
Billy Suratt <apex....@reporters.net> ICQ #2810131
Freelance news photographer based in the Southcentral Kentucky area
Pager: 800-999-2220, PIN 2644 + your phone number
Cellular: 502-576-2599 Member: NAFP, NPPA, SPJ
Website (in progress) -- http://www.blue.net/~surattb/
Represented by 911 Pictures -- http://www.911pictures.com
**************************************************************
A couple years ago I saw and advertisement for a "cam-cane" made by
cambrige I think. Basically it was a monopod that could be turned into a
cane when not in use. I'm not to sure how well it worked either as a
monopod or a cane though.
>
SteveD
>Donna Riley-Lein
>Do...@valley-views.com
>http://www.valley-views.com
>
Stephen Delear
Freelance Photographer
Austin TX
Phone 512-388-0166
Carl Clark
Baltimore, MD 21217
ccp...@concentric.net
Featured on: http://www.members.xoom/urbanoline/
410 523-5602