Introduction to First Edition ( November, 2010 publication)
WOOOOOOH!!!! HOOOOOOOOOH!!!!
WOOOOOOOH!!!! HOOOOOOOOOOOOH!!!! YOU BOURGEOIS SHITS!!!!
WOOOOOOOH!!!! FUCKING!!! HOOOOOOOOOOH!!!!
https://groups.google.com/group/alt.usage.english/browse_thread/thread/9eb8b07e1d13f6d5/25980c7bb0b549d7?hl=en-GB&lnk=gst&q=abzorba+lawrence#25980c7bb0b549d7
Introduction to THIS edition (October, 2012)
As I peruse the sentiments I espoused in the introduction to the first
(2010) edition of this piece, I once again imagine myself as that
youth, that incandescent raging youth. Angry young man, yes, indeed,
angry young man....Of course, I was an angry young toddler. Red in the
face, I squalled full-bore for hours at the cat immediately outside
the bars of my baby’s crib, which, rather like the denizens of this
froup, sat there neatly and inspected me with wide and puzzled eyes,
motionless bar for the slow metronome sweep of her tail. Today, of
course, I only yell at my cat for 15 minutes or so, not for a whole
day.
Yes, every spring must have its autumn. The frenzied throwing of
handfuls of paint has morphed into the production of dainty
watercolours; hues of tropical gaudiness are now pastels. The past
is, most certainly, another place, and I did things differently there,
though some would say not as differently as I might suppose. As I
stood on the rooftops of Sydney in those days, when my vital fluids
ran like streams of sparkling water, I bawled my lungs out at the
world beneath me, like a lion roars at anything and everything it
sees. And now I am more circumspect, and the years have introduced
some mellowness into the vintage of these grapes of wrath. I am
manifestly more inclined to negotiation, though perhaps an element of
the prolix and a mien of self-satisfaction have made an appearance.
And perhaps, as many have averred, I "try too hard". I leave it to
the judgement of my betters, of which this froup has so very many.
The youth I was lives and burns on a cliff opposite the cliff on which
I now reside, and a vast gulf separates these two shards of a broken
clay pot which drift ever apart, but never lose sight of each other.
Such is life. I am the Ferret in Winter - still nosy, but not as lean
as once I was. Again that youth of temps perdu challenges the very
air with his barbaric yawps, on those astonishingly hot summers'
nights in Sydney. That youth lives on that other cliff top but he is
within me too, and is within anyone who has ever trembled with
indignation at every injustice that has made humanity suffer.
So it is only left for me to thank those who have helped me become who
I am here, that estimable panel of virtues, Laura, Athel, Tony Poole,
Steve Hayes and the rest, whose implacable opposition to everything I
have ever said has done more to rally this man's spirits, and his will
to overcome, than could any number of tepid supporters. Thank you, and
I will, as Marius Hance has often declared, "be loving you long
time".
If once I bawled my message from the cliff tops, may I now, from
within the confines of this overstuffed ottoman raise a glass of this
rather indifferent sherry, and tentatively proclaim today's version of
the sentiments expressed in the first Introduction:
Woo hoo,
Woo hoo fellow froupers
Woo effing hoo....
********************
Hello. Please you be helping me with this one. When Mellors first say
"Whoooorrhh"... but next time he saying "WHHOOOWRRHHH!!!!" What this
mean? Not in dictionary. And is second whoooorrhhh different tense to
first one.
It was then that Connie Chatterley first invited Oliver Mellors into
the drawing room.
"Oh, Oliver", she breathed, "You look like you've been labouring so
hard...so very hard!"
"Oi've bin fair knackered out at that", said the doughty gamekeeper.
"Sweatin' like a pig, I am."
"Oh, you have the fragrance of the untamed wild, the REAL earth about
you, Oliver, do you know that?"
"I'd get the tub out, Mrs Chatterley, but it ain't April yet."
"Oh no, don't do that, Oliver. You smell authentic, not like the
effete crowd."
"Do you mean me feet stink, Mrs Chatterley? I'll put some carbolic on
'em tonight..."
"Oh Oliver, you are one to treasure. There's no one like you. And
There's no need to call me Mrs Chatterley when we are alone
together...like this...like we are now. All alone...together...and
alone..." Her voice lowered to a whisper on the last words. She felt
the top button of her blouse, and it came undone in her nervous
fingers, and beneath the blouse her bosom began to swell.
"Whoooorrhh..." thought Mellors, "I think I might be in with a chance
here, sure enough... And it's been a long while since it rained..."
"What do you call the other ladies, the girls you know, Oliver?"
"Well, I call some of them lassie, if they don't object to it."
"Oh, how awfully delightful!" squealed Connie, and she clapped her
hands. "Mummsy called me that, when I was a little one. Please call me
that then, when we are alone, which we are now..."
"Very well, Mrs Lassie it is then, if you don't take exception to it."
Connie looked at him evenly and once again felt the buttons at the top
of her blouse. "Now, my hard-working real man, would you like a little
drink?"
"Well if you are being so kind, a pint of cider wouldn't hit the
sides."
"I'll go and get one."
And presently, she returned with cider for Oliver and three bottles of
sherry for herself. They sat at the table and began to drink. Connie
asked him what he had been doing that day to build up such a sweat and
thirst, and he began to tell her how he had assisted Bess, the cow, in
the delivery of her calf. He almost knocked the bottles off the table
as he enacted how hard he had "pulled and pulled" at the emerging
calf. "And then," Oliver said at the end of the lengthy and detailed
narration, "She began to scoff the afterbirth, and that's when I
knowed she'd be as right as rain."
"How wonderful, Oliver! It's so, so authentic and full of blood and
life itself. Now, Oliver, let me be frank with you" and a blush came
over her which spread like a tide from cheeks to throat to breast. "I
have a bed here, and I would like you to show me what kind of man you
really are, in that bed...with me."
"WHHOOOWRRHHH!!!!" Mellors roared, so much like a bull. "I be right up
to that, Mrs Lassie, and you can bet on that!"
"Well, I'll just go and slip into something comfortable..." Connie
smiled.
"No need for that, Mrs. Lassie, just strip off and let's get to it.
Can't stay too long, though. I've got to muck out the stables at
sparrow's fart tomorra."
Connie began to take off her clothes, all of them, and Oliver took off
his shirt and lowered his trousers. When he looked up at the now-naked
Connie, he expressed his admiration.
"WHHOOOWRRHHH!!!!" Mrs. Lassie, I do declare, if you were a cow,
you'd be a-winnin' any best udders ribbon in any competition."
"Glad you like me, Oliver, but oh, I've smudged my mascara and I must
look a fright."
"No worries, there Mrs. Lassie. I'm not lookin' at the mantelpiece
when I be stokin' the fire."
"But, my hero, DO take your trousers and boots off."
"No time, Mrs Lassie, not to worry, I can do the job with the strides
down my ankles, done it lots of times like that. No sweat, and it's
easy for the quick getaway if that's needed."
"Well, here I am, my dear, have your way with me…I'm all yours", and
Connie lay naked on the bed.
"WHHOOOWRRHHH!!!!" roared Oliver as an American soldier might have
yelled "Geronimo" as he charged across a field of battle.