Joseph Nebus
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[ INT SOL. JOEL is resting his arm on the desk; CROW is leaning
his head against JOEL's arm. A light piece of duct tape
and a weak piece of twine connect CROW's nose and head to
JOEL's arm. TOM is off-camera. ]
JOEL: You feel good about this?
CROW: Yeah, I'm set.
[ TOM enters, with several envelopes in one hand. ]
TOM: Hi, guys. What's up?
CROW: Ready to tell him?
JOEL: I think so. Tom, Crow and I were thinking about the fanfic,
and we realized it just made good sense.
TOM: Oh, you and he joined in a deep cybernetic linkup so you
could fuse your natural talents and abilities to make a
combined organism superior to all others?
CROW: Uh...yeah, that's about got it.
JOEL: We figured it'd be really cool.
TOM: So, like, you'll be able to answer the mysteries of the
Universe, like why is it on "Scooby Doo" whenever Velma lost
her glasses, she immediately became stupid as a bowl of hair?
JOEL: Uh...we have limits.
TOM: Oh. Did you get one of those psychic linkups too?
CROW: Yes.
JOEL: [ Simultaneously ] No.
[ CROW, JOEL look at each other. ]
[ Simultaneously ]
JOEL: No.
CROW: Yes.
[ A beat. ]
TOM: I take it there are still quirks in the linkup.
JOEL: Yeah, Crow, I'm sure I didn't make a psychic linkup for us.
CROW: I'm sure you did, Joel. I can feel your thoughts.
JOEL: No way.
CROW: Honest. Let me concentrate and try to pick up your mental
impressions.
JOEL: [ Shaking his head ] I'm sure, but...
CROW: Okay. Let's see...
[ CROW concentrates. After a few beats, JOEL talks to TOM. ]
JOEL: So, uh, what're those envelopes?
TOM: Beats me. I just found them in a mayonnaise jar.
JOEL: Can I see?
TOM: Sure.
[ JOEL pulls the first envelope free. ]
CROW: [ Suddenly. ] Hot cross buns.
JOEL: [ Turning to CROW ] Huh?
TOM: Hot cross buns?
CROW: I'm sure of it.
JOEL: [ Tears open the envelope and reads the card inside. CROW
has to work to stay on JOEL's arm during it. ] "What spilled out
onto the streets when the air conditioning broke in the
middle of the debate session during last summer's rabbit
convention?"
[ A beat. ]
CROW: Hm.
TOM: Peculiar.
JOEL: We can probably do better.
[ JOEL pulls out the next envelope. ]
CROW: [ Confidently ] Oberon; Minerva; and Tom Arnold.
TOM: Oberon, Minerva, and Tom Arnold.
CROW: You heard me.
JOEL: [ Opens the envelope; reads the card. ] "Name a moon, a toon,
and a goon."
[ A beat. ]
JOEL: Are you sure this thing is working?
CROW: May an overbearing camel bed down in your laundry room.
JOEL: [ Shaking his head ] If you say so.
TOM: Let's try another.
JOEL: [ Takes out another envelope. ] We may regret this.
CROW: [ Sharply ] A koala hitman at dinnertime.
TOM: A...koala...hitman.
CROW: At dinnertime.
JOEL: [ Opens the envelope and reads. ] "What eats shoots and leaves?"
[ Two beats. ]
JOEL: Okay, then. [ Starts ripping the tape and string off CROW. ]
CROW: Hey!
JOEL: I don't think we make a really powerful team.
CROW: Just as well. You get some weird thoughts, Joel.
TOM: I knew it.
JOEL: I do not!
[ MOVIE SIGN flashes ]
ALL: AAAAAUGH!
JOEL: I wasn't thinking of story sign!
[ 6.. 5.. 4.. 3.. 2.. 1.. ]
[ ALL settle back in ]
>
>* * * * *
TOM: Where were we again?
JOEL: Uh, nowhere.
TOM: Oh yeah.
>
> "WHAT DO YOU THINK YOU ARE DOING?! YOU'RE GOING TO
>KILL US BOTH!!"
CROW: YES!
JOEL: Go for it!
TOM: Please!
> Sally screamed as they tore across
>Robotropolis at speeds that only Sonic could match. Keith
CROW: Is just asking for a bunch of traffic violations.
>whooped in sheer exhilaration. "PRINCESS, YOU BETTER PRAY
>TO EVERY GOD YOU BELIEVE IN THAT THIS BIKE HAS ENOUGH POWER
>TO GET US ACROSS THAT CANYON!!!"
TOM: That's a pretty long shout, actually.
> Sally caught herself as
>she saw what Keith was talking about.
JOEL: "That's not a canyon, it's just a matte painting!"
> The only thing that
>could even resemble a canyon near here was the mile-wide
>gorge that bordered the Great Unknown.
CROW: Yeah, I guess that might be thought of as a canyon, somehow.
> She almost lost her
>grip in panic.
TOM: Yeah, why do anything to avoid plunging to certain doom?
> "STOP!!! NO!! TURN AROUND!!!" She shouted
>until she was hoarse, but it did no good. Keith aimed for a
>chunk of slate, and muttered, "Sasha, afterburners, please."
CROW: Great, now it's the Knight Rider video game.
>With an ear-splitting explosion, the bike shot forward. The
>hoverjets hit the chunk, and the bike's nose angled up.
JOEL: Lucky they hit the "space shuttle" model of hovercycle. Think
how much trouble they'd be in if they'd stolen the Robotropolis
equivalent of a milk truck.
>"HERE WE GOOOOOOOO!!!!!!"
ALL: [ Singing ] On the Great Space Coaster!
> The bike soared across the gorge.
>All of a sudden, a kind of peacefulness came over Sally, as
>she accepted that she
TOM: Had split ends in her tail.
> was going to die. The world seemed to
>go by in slow motion, and Sally saw
JOEL: The "Six Million Dollar Man" marathon.
> her life flashing before
>her eyes. When the show was over, Sally fainted.
CROW: Those clip shows take a lot out of a person.
>
> "Sally? Hello? Yo, Princess, rise and shine! We made
>it!"
JOEL: "Oh, great, I finally get a hovercycle and the first thing I
do is run over a squirrel."
>
> "Huh? Wha---," Sally mumbled as she began to wake up.
>Her eyes flew open as she remembered what had happened, and
CROW: Thought "Oh, man, what was *in* that punch?"
>with a grace and speed Keith never thought possible, she
>leaped up and tackled the human.
CROW: "Oh, no, I didn't, not with *YOU* oh NOOOOOOO!"
>
> "WHAT did you think you were doing?!" Sally was
>furious. Her eyes blazed with such a cold blue flame that
>Keith was actually afraid for his life.
JOEL: He knew he'd never live it down if he were killed by a
squirrel.
CROW: Huh?
> The feeling passed,
>though, as he realized that it was mainly residual panic.
TOM: As the feelings of other people are essentially trivial and
should have minimal impact on our lives.
>He grinned weakly. "S'okay, Princess. We're alive, aren't
>we?" Keith's attempt at the Ultimate Argument of Logic
>worked.
CROW: You know, I'd have guessed the Ultimate Argument of logic would
regard the non-denumerability of the Cantor set, or Godel's
Incompleteness Theorem, or such...outtakes from "The Dukes of
Hazzard" would've been my fifth guess.
> Sally's rantings faltered, and the fire left her
>eyes. She got off Keith's chest, and allowed him to sit up.
TOM: Baka-wow!
>"Not bad, Sally! Where'd you learn to do that?" Sally
>looked up at him, almost ready to cry,
JOEL: What the--this is a counter-revolution! There's no crying in
counter-revolutions!
> but seeing the
>dancing lights in his eyes, couldn't help but start to
>laugh.
CROW: Ah, the fine cackling of the manically insane.
> Her crystal voice echoed across the gorge behind
>them, and seemed to fill the Great Unknown with laughter.
>Keith couldn't help but join in. The two of them laughed
>long and loud, for what seemed like an eternity.
TOM: [ Unenthusiastically ] Ha-ha. Ha-ha.
> Finally,
>they started to calm down.
TOM: Whew.
> They picked themselves off the
>floor, and walked back over to the hoverbike. Sally had
>never felt better.
JOEL: Not even the time they brought anti-lice shampoos to Mobius.
> All the pain and misery that had pressed
>down on her shoulders for so many years now seemed much
>lighter.
CROW: Suddenly the war is *fun* again!
> Laughter, she mused, truly is the best medicine.
TOM: And a smile is the best umbrella.
JOEL: And a puppy is the only love money can buy.
CROW: And swimming is the best form of exercise.
>Suddenly, a thought struck her. "Keith, did we detonate
>those charges?"
>
> The look on his face was answer enough. He addressed
>Sasha. "Um, Sasha, where are those bombs now?"
CROW: "They're being turned into pilot episodes for the UPN."
>
> "JUST A MINUTE. I'M SCANNING NOW." A few seconds
>later, she finished.
TOM: "We, uh, accidentally left them back home. Sorry about that."
> "WELL, ABOUT 75% ARE STILL IN PLACE.
>THE OTHERS ARE CURRENTLY ON THEIR WAY TO ROBOTNIK'S
>HEADQUARTERS."
JOEL: I guess Robotnik would be rather stupid to take the bombs
to a disposal area when he could be bringing them to his
living room instead.
>
> "You're a princess, Sasha. Thanks." Turning to Sally,
>he said, "Well, we can still do some damage, and even add
>insult to injury. What say?"
CROW: Why not wait for all the bombs to be taken into
Robotnik's headquarters, if that's where they're going?
>
> Sally smiled. She liked his thinking. "NICOLE,
>detonate."
>
>* * * * *
>
> The Control Center shook as a massive explosion rocked
>the hangar at its side.
JOEL: "Okay, kids, this is the fifth time you've done this, now,
your mom and I have talked with you before and it's just got
to stop."
> "Sir, Communications relay is off-
>line. Hangar #2 also reports heavy damage."
>
> "Well, Snively, I told you what would happen if you
>failed." Snively cringed and squeaked, as per the custom
>for frightened rats.
CROW: Oh, now Snively's going to bite and give Robotnik the
bubonic plague.
> "What happened, by the way, with the
>human? I told you to go get him."
>
> "Uh, w-w-well, sir, we encountered... a problem, sir."
>
> "And what kind of problem would that be, Snively?"
TOM: "Turned out we were wrong and it's wabbit season."
>There was something in Robotnik's voice that said he didn't
>care what the problem was, but he knew Snively would pay
>dearly for it.
JOEL: See, this is what happens when Total Quality Management
programs get misapplied.
>
> "Well, sir, the human seems to be... extremely
>intelligent.
TOM: As he reminded us every other sentence.
CROW: Another one!
TOM: Would you stop counting?
JOEL: It's his cookies now.
> He managed to outwit my patrol,
JOEL: But, then, hands on a clock outwit his patrols.
> and he somehow
>hot-wired a hoverbike."
CROW: Oh, he just turned it on.
>
> "Well, Snively, why don't you trace it?" Robotnik's
>face was turning an interesting shade of purple.
>
> "Uh... ummm...
TOM: "Doc, I think we're growing apart."
> he... he destroyed the homing
>transmitter as well."
>
> "He WHAT?!?!"
CROW: I didn't mean it. I don't know what I was thinking.
>
> What happened next is far too disturbing for me to put
>down,
TOM: Me?
JOEL: What does it say about a story when the third-person
omniscient point of view can't stay in character?
CROW: It says it's a fanfic.
> but let's just say that Snively will wake up several
>days later with one mother of a headache.
>
> "Packbell, you're in charge of finding that blasted
>human now. I trust you won't fail me."
CROW: Oh, wait, you will fail me. I forgot.
> The android looked
>down at the inert and bleeding form of Robotnik's nephew,
>and hastily agreed.
TOM: So, why wasn't Snively roboticized, again? What special
talent was Packbell afraid of losing?
>
>* * * * *
>
> The two could see the smoke all the way from the Great
>Unknown. Keith grinned down at the Princess. "Welp," he
>said, "I think
JOEL: That's the biggest forest fire I've set in *months*.
> we'd best be getting back to Knothole before
>they think I hurt you or something." His tone was light,
>but Sally picked up the message beneath it.
CROW: [ Sounding out Charades ] You want...you want me to go...go
to the store, okay, I'm to go to the store and you want me
to...to...sounds like "earring"?...uh...
> Picked it up
>loud and clear. "You know," she said, "there are those who
>would be willing to give you a chance, if you'd let them."
TOM: Nothing proves trustworthiness more than pulling insane
stunts on alien technology.
>
> "I'm sure there are, but on that note, I'm kinda a
>'seeing is believing' person.
JOEL: Unless I'm asked to believe a mysterious super-powerful
being that only appears in dreams.
> Let them come to me, and I'll
>give them a shot. Anyway," he said, shaking his head,
>"let's head back."
CROW: Hang on, could we stop off at Wa-wa first? I really need a
super-slushie.
>
> "All right, but could you take it slow?
JOEL: The last thing we need is for this to wander into "Return of
the Jedi."
> I can only
>stand one heart attack a day, you know."
>
>Chapter 5: Another Chance
>
> It was midafternoon by the time the two reached
>Knothole. Sonic had already organized a search-and-rescure
>team,
CROW: All this trouble just 'cause they don't have prepaid
telephone cards.
> and they were just about ready to head out when Sally
>ran up and hugged Sonic.
TOM: [ As Sonic ] "Oh, great! You can help us look for Sally
and that human!"
>
> "And just where were ya? I was just about to go out
>lookin for you!" Sonic was relieved that she was back,
>though, and the lecture turned into a long hug.
JOEL: Now you just go to your room and think about your not dying.
> "So," he
>said, as they finally let go, "where's the trainee?"
>
> "Right here, blue boy!"
CROW: Blue Boy, Pennsylvania?
JOEL: You behave.
> All heads turned and stared at
>the human sitting astride his hoverbike, looking like a
>cyberpunk's version of a Horseman of the Apocalypse.
TOM: Hey, did he just appropriately use a simile? In a fanfic?
CROW: It's stunning. We may make it through this yet.
> He was
>grinning like a maniac. There were some scattered
>mutterings, a few scathing remarks, but nothing incredibly
>audible.
ALL: Murmur murmur murmur murmur murmur murmur.
>
> Keith turned to the crowd. "What? Haven't I proven
>myself yet? My God, what does it take to get you people off
>my back?!
TOM: It's not that, they're just staring at the headlights.
CROW: Yeah, turn the lights off, they'll snap out of it.
> Oh, maybe this will help. Sasha, could you call
>up that little thing we found back at Robotropolis? You
>know the one."
JOEL: It's a T-shirt reading "I heart Robotropolis, but Robotropolis
doesn't heart me."
>
> "NO PROBLEM, BWANA." Immediately a holographic display
>shimmered into view. It was a detailed set of blueprints
>for something called a Death Egg.
ALL: [ Snickering ]
CROW: Yeah, and later on, the evil Dr. Robotnik is going to invade
Knothole and TP their lawns.
>
> "Oh, my gosh, Sonic! Look at this! He's found the
>schematics we've been trying to figure out for the past
JOEL: Two sentences!
>three weeks!" Looking up at her friend, she asked, "How on
>Mobius did you get these?"
TOM: Actually, I just cued the laserdisk version of "Star Wars"
up to the right scene.
>
> Keith shrugged. "I guess there's something to be said
>for dumb luck. Anyway, now that we know how this works, we
>can have a little fun, no?"
JOEL: Yeah, with this Death Egg we'll finally make the chickens
respect us.
>
> "I don't know... We'll have to study it carefully.
>There may be some surprises in this little toy.
TOM: Like there...see? "Choking hazard--Do not give to children
under three years old."
> Only way to
>make sure nothing goes wrong..."
>
> "...Is if we spend weeks in careful perparation, I know
CROW: Genius is one percent inspiration, and ninety-nine percent
perparation.
>the drill." He opens his mouth in a jaw-cracking yawn.
TOM: Ccccrick! Bop! Boing!
JOEL: Ih fehh off! Hewp!
>"Just hope I can find something to do during the off-time."
>He shrugs. "Ah, well, I'll find something. So! What now?"
TOM: Maybe he could visit the set of "Super Mario Brothers."
>
> Sally blinked as something occurred to her. "Wait a
>minute! We forgot the sleeping arrangements!"
CROW: I'll just use my massive brainpower to create suitable
quarters out of pure thought.
TOM: FOUL! FOUL! Now he has to give up a cookie to me!
CROW: No fair!
JOEL: Sounds fair to me, actually.
> She looked
>around at the crowd. All she heard was more muttering.
>"He's already got a place to stay. Better put him back
>there." Keith just rolled his eyes and sighed.
CROW: But I don't fold up to *fit* in the linen closet.
> "Okay, who
>said that? Come on, come out. I'd rather see my
>persecutors face-to-face, iff'n y'don't mind." Recieving no
>answer, he smirked.
JOEL: Class, I'm going to turn off the lights and sit down until
you show you can control yourselves."
> Sally did not like that light in his
>eyes. "Aww, c'mon! Don't tell me you're too much of a
>coward to say it to my face, are you?"
TOM: Maybe they'd be more comfortable offering to sniff each
others' rear ends.
JOEL: You behave too.
> Even though he was
>adressing no one in particular, an angry snort went up from
>the back of the crowd. Keith heard, and craned his neck.
CROW: [ Calling ] Cock-a-doodle-doooooooo!
>"Yes? The hatemonger in the back? You have something to
>add? Come on, share your feelings with the group!"
JOEL: Or we'll just cancel the video. You have to earn the
right to see "Inspector Molecule."
> The
>crowd parted as someone shoved their way up to the front.
>It was the badger that had tangled with him the day before.
>Keith just grinned. "What's the matter?"
TOM: [ Sobbing ] I'm afraid of cosines!
>
> "What's the matter?! The matter is, I'm tired of
>seeing your face! You humans should be wiped from the face
>of Mobius!" Keith's eyes grew deadly serious at this
>comment. "Is this what you really believe? That I should
CROW: Feel freer about breaking up my paragraphs?
>be killed?"
>
> "You're damn right, that's what I think!" Keith
>nodded, then pulled out a blaster pistol he'd managed to
>acquire from a
TOM: Plot point we just thought up.
> SWATbot. He handed it, grip first, to the
>badger. "Fine. Go ahead."
JOEL: "But...uh...this is a Mobian toothpaste dispensor."
>
> This threw the badger for a loss. "What?" He was
>stammering, but he took the pistol, and steeled himself. He
>pointed it at the boy's head. But didn't pull the trigger.
CROW: Probably has to borrow opposable thumbs from somebody too.
>
> Keith looked disappointed. "What's wrong? Oh, I see.
>I'm too tall. I'm scaring you.
JOEL: No, it's toothpaste! We told you that.
> Here, I'll get down on my
>knees. There, now you can go ahead." They were at eye
>level now, Keith gazing into the badger's blazing red eyes.
TOM: And the badger counts the days to retirement.
>But still nothing. "Now what? Oh, okay, you're afraid
>you'll miss. You never were a good shot, and you might
>miss, even this close.
JOEL: "All right, I'll shoot, but it'll just get cavity protection
all over your jacket."
> Here." He leaned forward, so that
>his forehead was pressed up against the barrel. "You can go
>ahead now. You can't miss."
CROW: Can *we* shoot instead?
> Still nothing. "Come on, one
>little squeeze of that trigger, and I'll be out of your life
>for good.
TOM: Sure it's painful, but just think how bad the moral will
be later on.
> You'd like that, wouldn't you? Come on, just
>one."
CROW: Or maybe two, or, uh, nineteen.
> The fire in the badger's eyes was faltering. Keith's
>voice was hypnotic. "Do it.
TOM: Obey...
> Do it.
JOEL: Must-defrost-the-refrigerator.
> Shoot me, and it's
>over.
CROW: The whole fanfic, over.
> Do it."
JOEL: Oh, and, after that, every time somebody says 'Chicago' to
you you'll think your pants are on fire.
>
> The badger broke down. The pistol dropped, and he
>began to shiver. "I can't. Why can't I?" He began to cry.
>Keith drew him close in a comforting hug.
TOM: The badger, however, was warned by his parents about being
touched this way.
> "You can't,
>because you do value life, no matter what species it is.
JOEL: Except for cougars, coyotes, and any other species that
eats badgers.
>Hold onto that, my friend, because you may lose it one day,
>and then you will be truly damned. Everything's fine now."
CROW: Give mommy a kiss now.
>
> "Keith, I can't believe you did that to him!" Sally
>had her hands on her hips,
TOM: And her hips on her shoulders.
CROW: And her shoulders on her kneecaps.
JOEL: And her kneecaps on her forehead.
> and she was glowering down at the
>boy.
>
> Keith released the badger, stood up, and looked
>directly at Sally. "Would you rather I argued with him, and
>got mobbed?
CROW: Yeah, that'd be cool to see.
> I wouldn't have a chance, and you know it.
>Better I make them," he points in the general direction of
>the crowd, "see that they do, in fact, have a heart,
TOM: Actually, they wanted to see his heart, as I understand.
> than I
>scream and yell, and get torn to pieces. What do you think?
>My methods may be shocking, but they
JOEL: Really aren't.
> work better than
>anything else I could have come up with." As Sally was
>considering this, a small hand went up from the back of the
>crowd.
CROW: Teacher, can I go to the lavoratory?
> "He can stay with me!" As the villagers parted, a
>teenage raccoon girl could be seen, waving her paw.
>"Rebecca? Are you sure about this?"
TOM: "Uhm...no, I'm Carol, Rebecca is the crab-eating raccoon
down the block."
>
> "Sally, I've never been more sure of anything in my
>life.
JOEL: But then I'm three weeks old.
> This poor boy hasn't had a proper reception into
>Knothole society, and I intend to give him one." She looked
>back at Keith. "Come on, it's this way."
CROW: If this turns "naughty" I'm going to vomit.
JOEL: Wow.
>
> Just before he left, Sally grabbed Keith's arm.
>"Careful, Keith. She seems to have designs on you."
TOM: Remember kids, if a girl tries to be friends with a boy,
it's cause she's got mysterious "designs" on him.
> Keith
>just grinned. "And what makes you think she'll get far? I
>do have a rather firm resolve,
CROW: And as a girl, she's got lots of cooties.
> and I think that she'll be
>pulling her hair out by the time I'm done with her. Trust
>me."
TOM: This is how girls look when you don't have hormones.
> He winked at Sally, and walked off with Rebecca.
JOEL: I feel like apologizing to every woman everywhere now.
>
> "So, tell me, why did you volunteer? You realize, of
>course, that you're harboring a human,
CROW: He's wanted for being a human in two states.
> and it'll make you
>kinda unpopular."
TOM: [ As Rebecca ] "That's all right, I'm already deeply
resented for my massive intellect."
CROW: Foul! Foul!
JOEL: Sorry, Crow, he didn't riff on Keith.
CROW: No fair!
TOM: Sounds fair to me.
> The two were walking through the forest,
>getting to know one another.
JOEL: [ As Rebecca ] "Another few minutes and we'll get to the
kitchen. The campers will have hung all the food from trees,
but that never stops us."
> Keith regarded his new roomie
>with interest. Rebecca MacPherson, the only Freedom
>fighter, aside from the major ones, to ever give him a
>chance to show his true colors.
CROW: Unfortunately, they're mauve and indigo. Yick.
> She was pretty, if you went
>for that sort of thing.
TOM: Yeah, who likes 'pretty' these days anyway?
> Her fur was light brown, but silver
>on her face and tail. Quite striking, really.
JOEL: Slap!
CROW: [ As Keith ] I was just looking!
> Her raven-
>dark hair was parted down the middle, hanging into her eyes
>every so often. And the eyes... they were what really got
>to him. They were emerald green, dancing and full of life.
TOM: But a good antibacterial agent and that'll get all cleared up.
>The eyes of someone who's sense of humor would never die.
CROW: She's got Andy Kaufmann eyes?
>Rebecca smirked as she noticed his scrutiny. "Finished?"
>She enjoyed watching his face turn the darkest red she had
>ever seen.
JOEL: But keep in mind, she's colorblind.
> "About your question, I did it for three
>reasons. One, because you've gone through a lot, and
>deserve to at least be able to sleep nights.
CROW: Two, you have a big shiny on your arm.
> Two, I meant
>what I said back there, about giving you a proper warm
>reception."
TOM: "Dear Pentmouse: I'm a newcomer to a small midwestern
cartoon..."
>
> "And the third?" He was pretty sure he knew this one.
TOM: Which he knew thanks to his...
CROW: Oh, boy!
TOM: Uh...being the writer.
>They stopped, and Rebecca looked up (way up, he's 6 foot!)
>into his eyes. "Three, well, I like you.
CROW: "I can't imagine why."
> From what I've
>seen, you're a pretty nice guy, and that's rare in my
>opinion."
TOM: Yes, remember, male equals cretin.
>
> The last statement didn't surprise him too much, but he
>was still a bit taken aback. "Really? You're kidding,
>right?"
CROW: Don't ask me, I'm just trying to follow the script.
>
> "No, Keith, I'm afraid not. Unlike most of those
>jerks, I have a very open mind.
TOM: Why, I accept everything at face value and never waste
time with critical thinking.
> If I like someone, it's for
>who they are, here," she laid a hand on his chest, "than
>what they look like. You see?"
JOEL: Aw, she's got an alveoli fetish.
> Keith nodded slowly. "Yes, I see. Thanks again,
>Rebecca. I can see I'll be enjoying my stay here a lot more
>now."
>
> Rebecca grinned. "Oh, you may enjoy it more than you
>think, my friend..."
CROW: "So, as a raccoon do you have eight mammaries?"
JOEL: For that, Crow, one of your cookies goes back to Tom.
TOM: Ha-ha!
>
> Keith shook his head. "Doubt it. I think you'll find
>me to be an interesting challenge."
>
> "Oh, REally...?" She pounced him, and they started
>rolling through the forest, laughing all the way...
CROW: Yeah, hey, friend of mine just got a car and we're gonna
go stare at its headlights all night. Want to come?
>
>Chapter 6: Gathering for the Departed
>
> Weeks went by, and Keith was slowly acclimated to
>Knothole society.
TOM: But he'd never get used to them being on metrics.
> Acclimated, not accepted. People still
>didn't trust him, but he had enough friends so he didn't
>notice.
CROW: So he's got a lot of friends, he just isn't accepted or
trusted.
> Quite often, he was seen chatting with Sonic,
>Sally, having fun with Tails, or discussing computers and
>such with Rotor and David.
JOEL: And if we had the faintest clue who David was, we'd be
impressed.
> Other times, he was helping
>Bookshire tend to the sick. All in all, he'd lived a pretty
>idyllic life in Knothole.
CROW: Except for the way everybody hated him.
>
> One spring day, however, he'd locked himself in his
>room.
TOM: It's not locked, the door opens *in*, Brainiac.
CROW: Does that count? Do I get another cookie?
TOM: No!
JOEL: Behave, the both of you.
> When Rebecca tried to ask what was wrong, all he
>could hear was singing.
CROW: Rebecca's a 'he'?
JOEL: It's hard to tell, under all that fur.
> What the songs were about, though,
>was what had disturbed her. Keith was singing strange
>requiems, sad songs, and some ones seemed to seethe with
>rage.
TOM, CROW: [ To "The Nutcracker Suite" ] Smurfberry Crunch is
fun to eat! A very special breakfast treat!
JOEL: Stop.
> He only came out to get food, which he did quickly
>and with little if any speaking.
CROW: He was really upset the animals all hung their food from
trees so the humans couldn't get at it.
>
> Sally reflected on this as she walked to Rebecca's hut.
>Apparently, he had sent Tails to her with a message, saying
>that it was imperative that he needed to speak with her.
JOEL: It's critically important! Take a conference call!
>She didn't know what was on his mind, but she, like most of
>the rest of Knothole, was out of their mind with curiosity
>or worry, depending on how much they accepted the boy.
TOM: Or, well, fits of ennui, anyway.
> She
>knocked on the door, and gasped at the human who answered
>it.
JOEL: Ed McMahon?
CROW: I *never* thought I'd win the American Publisher's Sweepstakes!
> He looked like the very image of misery. His hair,
>gone unwashed for weeks, was long and hung around his
>shoulders.
TOM: A world without shampoo and conditioner. A man without
Cartoon Network. Something has to give.
> His eyes were surrounded with rings so dark, it
>seemed as if his face had become a skull. And the eyes
>themselves...
CROW: There were suddenly two of them.
> they were as empty as the darkest chasms on
>Mobius. His voice was hoarse with all the singing he had
>done.
JOEL: His tummy rumbled from all the hamster food he'd eaten.
TOM: His elbows were all tingly from accidentally bumping against
the desk.
CROW: His shins were lightly sprained from soccer practice.
> "Come in, Princess." He stepped aside, and Sally
>walked in.
CROW: [ Weakly, as Keith. ] Uh, no, that's the closet...uh...well,
you're the princess...
>
> "So, what did you need to talk to me about?" Keith
>motioned for her to sit. She did, but he remained standing.
TOM: Oh, great, he's pulling a Spock maneuver on us.
>It seemed he had a lot to talk about.
>
> "First, I wish to thank you for everything you've done
>for me.
JOEL: No one else ever cared enough to judge me in a capital case.
> You gave me a chance when it seemed like no one
>else trusted me. You are my first, and truest friend,
TOM: If you forget about Rebecca, yeah.
> and I
>want to thank you again for that." He ran his hands through
>his hair, got stuck halfway, and gave up.
TOM: Yick!
CROW: Oh, gross!
JOEL: I don't want to know what he got stuck on.
> "I'm sure you're
>wondering just what in Destiny's name I've been doing for
>the past month.
CROW: [ As Sally ] I am? Oh, yeah, I am. Right.
> Well, I've been thinking, and I've
>discovered something."
>
> "And what would that be, Keith?"
JOEL: No matter how hard you try, you can't fold a potato chip.
>
> "That. That's it right there. For the past month, I
>feel like I've been... how can I say this?
TOM: I'm getting really uncomfortable, guys.
> I'm not who I
>was when I came here, Sally."
JOEL: I've become a raisin collector.
>
> "What are you talking about?" Sally was genuinely
>concerned, and a little afraid. This was totally unlike the
>Keith she knew, who was always upbeat, even when discussing
>his own death.
CROW: Discussing his *what*?
JOEL: "Yeah, I've found my mortality has always been just the
thing to pick up the conversation."
>
> "I'm talking about the conditions of my journey here.
>You remember what I was told?"
>
> "Yess-ss, I do.
TOM: Had to book three weeks in advance, stay over on a Saturday
night, one piece of carry-on luggage, no more than two
suitcases, and waived your bonus miles.
> You had to give up everything you hold
>dear, everything about you world." Keith nodded. "Exactly.
>But what I didn't realize was that in order to renounce my
>world, I had to renounce my identity."
CROW: He's becoming Batman.
>
> "I don't see..." She was interrupted by Keith. "No,
>but you will.
JOEL: He's been named the Earl of Kent.
> What I mean is that Keith Aksland, the human
>who lived on Earth, has died."
>
> This statement shocked Sally down to the very core of
>her being.
TOM: The very acorn of her soul.
> "What?! What are you talking about? You're not
>dead! You're sitting right here in front of me!"
CROW: If Sally had just been the main character, she would have
understood metaphor.
> But some
>morbid part of her mind chuckled, looking at him. *Are you
>sure about that? Just look at him!* But the thought was
>quickly pushed away.
JOEL: "I've looked before; he can't be any better now."
> "You, Keith, are not dead. You're
>standing right here before me, spouting nonsense. Why do
>you think you're dead?"
TOM: "Well, I don't have a pulse, haven't breathed in two weeks,
and I keep seeing long-dead relatives beckoning me home."
>
> He rolled his eyes and sighed irritably, as if trying
>to get a toddler to understand a basic truth. "What I mean
>is
TOM: My super-brain has transcended your petty 'life' and 'death'!
CROW: Another one for me!
TOM: He deserved it!
> that I have renounced my past life, as well as my world,
>and, in fact, I am no longer human." Sally was about to say
>something, but he quickly grabbed her hand and put it to the
>top of his head.
CROW: "I can pat your stomach and rub your head at the same time!"
> She felt around for a second, frowning,
>when she felt it!
TOM: Ew...
> It was barely beginning to push through,
JOEL: The weirdest "dirty" scene I've ever read.
>but she was sure of what it was;
ALL: [ Squirming ] No! No! Spare us!
> an ear!
CROW: Huh?
TOM: An *ear*?
JOEL: Keith has gone bye-bye now.
> She quickly felt
>the other side... another! She withdrew her hand, more
>confused than ever.
CROW: So, Sally is completely unaware of the existence of ears?
> He looked at her. "Though I'd rather
>not show you,
JOEL: He's a man with ears that almost poke out of his hair. Don't
cross him.
> I'm also feeling the beginnings of a tail.
CROW: It looks just like the one my pet guinea pig used to have.
> I
>don't think it'll be long before the transformation resolves
>itself."
TOM: Yeah, it's just taken a month to get the beginnings of a
tail. This should be wrapped up in another five hours.
>
> "O-okayy-yy, but what till then?"
>
> "I think it's best if I went out into the Forest to
>finish this off.
JOEL: After all, this has *never* happened to any of the other
humans who come through to Mobius every other fanfic.
> When I return, we will honor the dead."
>
> "Honor the dead?
TOM: Yeah, you know. Gus Grissom, Benjamin Franklin, Tex Avery,
and Franklin Delano Roosevelt.
> A funeral? But what..." Sally
>looked in his eyes, saw the grim resolve set into them, and
>gave up protesting.
CROW: "Would you just *go* already?"
> "All right, but are you sure you'll be
>okay?"
JOEL: "Sure, I've got everything in the world I need right here,
like, uh..."
>
> "No. But if anything does happen, tell them all thank
>you for me.
TOM: Thanks for what? Not killing him too often?
> And please, if I don't survive this, give me a
>proper burial. I didn't live as a criminal; I don't intend
>to be remembered as one."
JOEL: "Oh, we didn't figure to remember you at all."
> With that, he shook Sally's hand,
>hugger her briefly, and walked out.
CROW: [ With British accent ] Hugger off, Lordship!
>
>* * * * *
>
> For a couple of days, no one had seen hide nor hair of
>the boy.
TOM: But that's just because they're all nocturnal and...
> Then, on the third night, there came a shriek
>tearing out of the Forest as of some eternally damned
>spirit.
CROW: Joe Barbera?
> Those awake never slept, and those asleep were
>plagued with nightmares.
JOEL: They imagined they were in Sonic the Hedgehog fanfics.
> Even in far-off Robotropolis, Dr.
>Ivo Robotnik,
ALL: [ Snickering ] Ivo?
JOEL: Well, I'd be evil if that was my name.
> the only living being to function without a
>heart, shivered and moaned in his sleep.
CROW: Again with the images we don't want to live with.
TOM: Can we take a break?
JOEL: [ Picking up TOM ] Yeah, it's about time.
[ 1.. 2.. 3.. 4.. 5.. 6.. ]
[ INT SOL. TOM, JOEL, and CROW are standing around, talking. ]
JOEL: Wow. Guys, you know, the villain of the Sonic stories here,
Ivo Robotnik, really does have an evil name.
TOM: An evil name, you say?
JOEL: Certainly, Tom. Just try saying it. "Ivo Robotnik." The
syllables conjure up visions of a foul, despicable man.
CROW: Yeah, I see it.
TOM: So you're suggesting that names control our destiny?
JOEL: Not that strong a suggestion, Tom. But within the confines
of a story, something as simple as what name a character has
can go a long way to defining his personality.
CROW: So if you want an evil character, it helps to have an evil
name for him or her?
JOEL: Exactly, Crow.
TOM: I kind of see what you're saying. For instance, if you were
a character in a story, Joel, you couldn't be evil. 'Joel
Robinson' just doesn't pass as an evil name.
CROW: No; no, he couldn't. Maybe if he had a different first name,
though.
TOM: Yeah, like...how about 'Bentley'?
JOEL: Bentley?
CROW: Sure. Bentley Robinson, daring and ultra-slick super-secret-
agent. [ JOEL beings pantomiming to CROW's movie-announcer-like
recitation. ] Fast with a gun; faster with the ladies...he knows
all the moves, he knows all the secrets, and this summer, he's
going to take Washington D.C. hostage.
JOEL: [ Standing normally again. ] You got it. How about you, Tom?
TOM: Hmm. 'Tom Servo' isn't that evil a name.
JOEL: No, it's not. But what if instead you were...hm...
TOM: Walt Servo?
CROW: Nah.
TOM: Jim Servo?
JOEL: Definitely not.
TOM: Lazarus Servo?
CROW: Maybe we can come back to you. Try me instead!
JOEL: Okay, Crow...do you think you'd be evil if you were 'Stan
T. Robot'?
CROW: No...I think I might be an accountant, though.
TOM: How about 'Dar T. Robot'?
CROW: Hmm... [ Moves around, as though fitting the name. ] Dar T.
Robot. They thought he was locked away. They thought he was
harmless. They thought he was powerless. They were wrong. This
August, they're going to pay.
JOEL: Okay, so we've found a good evil name for you. Brings us back
to Tom here. How about 'Jerry Servo'?
TOM: Too cutesy.
CROW: 'Big Bad Bill Servo.'
TOM: Sounds like a chili recipe.
JOEL: 'Scott Servo?'
TOM: That's more a morning DJ's name.
CROW: That is pretty darned evil, Tom.
JOEL: True.
TOM: Still not me, guys. Or, me as an evil person, anyway.
JOEL: Why not try some names from the fanfic? 'Ivo Servo?'
TOM: Bleah.
CROW: 'Bookshire Servo'?
TOM: Sounds like a land management plan.
JOEL: 'Keith Servo'?
TOM: It's not working. Guys, maybe you just can't give me a name
that would inherently suggest I was evil.
JOEL: 'Blackjack Servo'?
CROW: Blackjack Servo: Exiled to a penal planet for crimes humanity
would not face...Labor Day weekend, he's going to make them
face him again.
TOM: Hey, you've got it. I *could* be pure evil if I had the right
name!
CROW: Great!
TOM: Yeah. So, what have we learned?
JOEL: Uh...
CROW: We learned...uh..
TOM: That with a slightly different name, we wouldn't be carriers
of right and good?
JOEL: I guess so.
CROW: Maybe there is no lesson. Maybe it's a cautionary tale.
TOM: There you go. Parents--and parents-to-be: Don't give your
children names that will make them evil.
CROW: Right. It results in a lot of heartbreak, and fanfics.
JOEL: There you go. You guys are learning all the time.
[ COMMERCIAL SIGN flashes. ]
JOEL: We'll be right back.
TOM: But we won't be evil.
[ BREAK ]