On Friday, April 6, 2012 12:09:11 AM UTC-4, Darren Delgado wrote:
> On Apr 5, 5:06 pm, "
robg...@bestweb.net" <
docs...@gmail.com> wrote:
> > On Wednesday, April 4, 2012 1:27:18 AM UTC-4, Darren Delgado wrote:
> > > On Apr 3, 11:28 pm, "
robg...@bestweb.net" <
docs...@gmail.com> wrote:
> > > It's pretty obvious, she starts screaming because she knows Kate
> > > killed Wayne by setting the house on fire, and she is afraid for her
> > > life because she thinks Kate is a cold-blooded killer, who may be
> > > there to get revenge on her for turning her in.
> >
> > Sure, that's what they cleverly constructed the present'n to make you think.
>
> Stop backtracking. First you said there was no possible explanation
> for Kate's mother screaming in horror, other than your ridiculous
> doubles theory.
Where did I say "no possible explanation...other than..."? There's practically ALWAYS an "obvious' interpret'n of things on "Lost" -- and I think a great many of those were the product of clever writing to mislead the audience. That's how good mystery writing is done. If it weren't, they wouldn't be mysteries. The writers have to put a lot of effort into throwing viewers off track, while at the same time being able to say, "The clues were there, you just had to read them correctly."
When "Lost" ostensibly concluded, it appeared we'd been had -- that it had never been a mystery show, the misleading was away from the fact that it was not a mystery show. Now I think it was a mystery after all, and that the misleading has gone a step further by deliberately making us think the story was over when it wasn't.
BTW, that's a problem in mystery novel writing and even other fiction writing -- the fact that the reader can see how much of the book is left, and infer from that how much or little present'n remains. Knowing when the climax is coming detracts from it quite a bit. Heinlein managed to beat that problem in a couple of novels by ending the story halfway thru by surprise and starting another.
> Then when I pointed out a very obvious explanation which everyone in
> the audience but you got immediately, you are switching too "don't
> believe the obvious." Even though a minute ago you said that "the
> obvious" didn't make any sense.
I didn't way it didn't make ANY sense, just that it was SUSPICIOUS. Suspicious behavior always makes some other kind of sense, that's why it's just suspicious rather than confessory.
> > > > And what of that "Magnetic Resonance Imagining"?
> >
> > > It's either a typo, or one of those things they dropped in to seem
> > > clever and deep, that didn't actually mean anything.
> >
> > You don't think it had any relationship to the electromagnetic mind control we saw Desmond in season 6 subjected to? Or to whatever "Faraday" (a phony name if ever there was one)
Which of course was why Desmond wasn't able to look him up at Cambridge by that name.
> > was doing to animals & humans previously? (And which he apparently did to his lookalike, judging by the results.)
> No. I don't think they had written any of that other stuff yet in
> Season 1. The writers even admitted they had not conceived of Desmond
> at all yet,
I think they lied. 2nd guess is that they didn't lie, but were telling just a technical truth -- they didn't have Desmond per se in mind but would've done much the same thing with another character.
> let alone the later plot that he had a super-power to be
> able to absorb electromagnetism.
You mean his super-power to be able to absorb their electromagnetic brain manipul'n without ending up quite as brain-damaged as another character we saw!
Bobbo in the Bronxo