In article <lDLzd.23532$7p.10130@lakeread02>, Adguru <ela
...@cox.net>
wrote:
> Fascinating history, Mark.
> So when you were living it, it seemed more of an Artisan Movement, than
> a ³Freehand Boom.² That makes perfect sense. I guess the feeling among
> pipe makers was, ³We arenıt locked in these traditional shapes, we can
> be creative and folks will buy them.²
Actually it seemd like the FH boom was dominated by big companies
such as PH/Ben Wade. These seemed to be pretty much factory faceless
pipes The few I mentioned , myself included, were definetly on the
fringe of the market. Large pipe distributing companies dominated the
market, Savinelli, Lane, Hollco. They accounted for most of the the US
pipe sales. The artisans were like the mammals at the end of the
dinosaur era. At the time we were just following what was
fashionable. I dont think classical freehand shapes a la Ben wade
were really all that creative. At one time I stated a monkey could
crank them out, or something to that effect. Rob Siegel ( Marble Arch)
one time quoted me on this and caught a lot of flack. I think this
was early on in ASP. My feeling s over the years haven t changed. A
freehand pipe is easy to crank out as they dont " have " to look like
anything. I could make dozens a day if I put my mind to it. Curt and
I rebelled against this when we left JHW and made relatively few of
them as we didn t want the "freehand " moniker and it was hard to
escape this as many retailers knew we worked for Jack.
I think Mike Butera turned the whole market around by equisitely
making traditional shapes and variations. Collectors and smokers
began to appreciate what a well made handmade could be. Also by this
time people were getting tired of freehands. They had more or less run
their course. I dont think the real wide taper bowls smoked all that
well to begin with.
Perhaps this somewhat coincided with more sophisticated tobacco s
being sold and smoked ? Someone who knows more about tobacco history
could comment on this. A freehand style is well suited to wet
aromatics. You could get a relatively dry smoke for at least 2/3 of
the bowl. But I think they are pretty useless for a better tobacco. I
would like to hear Greg chime in on this theory....
> Looking at the remnants of the ³Danish Freehand² era in the estate
> market, most of what I refer to as Danish Freehands are variations on a
> theme: Overall Conical shape, with an exaggerated flared shank, and a
> flared 1/4 bit military bit that usually has a few turnings for
> decoration near where it enters the shank.
> But, maybe this isnıt so much a description of ³Danish Freehands² as it
> is ³Freehands² in general.
Yes they are pretty much the same and I m sure there was a way to do
most of the operation on a frazing machine and a couple of
decorative cuts were added to take out flaws or to give them an
individualized look.
> It certainly doesnıt seem to be an outgrowth of the other Danish shapes.
> When I look at Danish versions of the Bulldog shape, for example
> theirs are often more bulbous and I think of soft curves. The older
> freehands were strikingly angular, very different from traditional
> Danish style.
I m not painting the Danish masters with this wide brush tho in
away their imaginative work led to the start the FH boom. I remember
seeing Ivarrson pipes in Iwan Ries catalogs of that era and while
they were free form they weren t what became known as free hands.
> Do you think it could be said that both the Danes making freehands over
> there and the Americanıs of the Artisan movement influenced each other
> during this period (1972-1982)?
The influence was all on their part. The Americans at the time were
just trying to get on board in any way we could commercially. I think
the only ones during the 80 s who had a unique style were Ed Burak
and Mike Butera. The rest of us were searching for our styles and
just trying to be pipe makers. Remember there were no Pipe shows
until PCI began them in a small way in the mid 80 s . There were no
direct sales, everything was done thru retailers . THEY WOULD ONLY BUY
WHAT THEY THOUGHT WOULD SELL. We were contained by this.
What altered this equation was the begining of the direct sales era
by Barry Levin. He was instrumental in changing the way pipes were sold
in the US. He championed Butera and later J Cooke and made their pipes
available thru other than retail shops. Also I would like to add Bob
Hamlin had a hand in this altho at the time he worked for a retailer
but thru newsletters sought a wider clientel than could just drive to
his shop.
A short lived flowering occurred when PCI pipe shows became a venue
of pipe makers to sell direct. This allowed artisans the freedom to
develop their own styles, still sell pipes, and not be contained by
retailers ideas of the market. An example of this would be Mike Frey,
tho Mike realized he couldn t make a living selling pipes in such a
small venue. Larry Roush found himself in a similar situation and took a
tempraory leave from pipe making also .
What revolutionized pipemaking was was the advent of the Internet.
I m pausing here to fill a 97 xmas pipe with hamborger veermeister as
this will be long !
A little personal history is in order here and there was a thread a
few weeks back about how pipe makers get started. My name was raised
and I didn thave the time to answer during Christmas pipe season so
here goes....
Curt Rollar and I had the benefit of the apprentice system. We both
worked for jack Weinberger in the 70 s , Curt a lot more than myself and
by the time we started our biz he was an excellent pipe maker. Jack was
more or less self taught. A lot of trial and error and w atching Max
Schulte make pipes in his shop in Maplewood, NJ. I dont know how Max
got started, perhaps in a pipe factory which were plentiful in this
country back then.
IN 1978 Curt and I got started with a couple thousand dollars.We had no
briar and few contacts. Jack s nephew, Vic Steinhardt, had left JHW a
couple of years earlier and backed by his family tried to make a go of
it. His company was called BOI ( Briar Originals Inc.) He sold to NY
shops and even went to the RTDA shows for a couple years before getting
a real job. After Curt and I returned from a bicyling sojourn in
Europe we went to work for Vic for a couple months in exchange for
briar instead of wages. I dont believe too many BOI pipes were made
after we left. I know Vic is still in Caldwell , NJ.
IN the fallof 1978, Curt and I moved to his grandfathers farm in
Frenchtown NJ and took down barns for lumber to build work benches.
We spent what little money we had on basic equipment and by the summer
of 79 actually had some pipes to sell. We spent a very cold winter in
an unheated farmhouse and worked for a steam fitter to get by while
setting up our shop.
We knew some retailers from working at JHW and after buying an old Opel
Cadet were were selling pipes in NJ and later NY. We certainly were not
an instant success story. Our average pipe retailed for $35 of which
we got half. Luckily we got our first briar order in and dry before Vic
s briar ran out so we continued making pipes and buying as much briar
as we could and lived very frugally!
Thru a lot of knocking on doors and many miles on the old Opel we were
able to get our pipes in shops up and down the East coast. SOme very
helpful retailers that come to mind are Jay Levine, Puff n Stuff in the
LIRR concourse NYC, Allen Mandel Tinderbox in Atlanta, Daivid
Birkebaugh Georgetown Tobacco who was curious enough to see what
his manager was shooing out the door, and the original Smokers haven
of Columbus.
Our biggest break was meeting John Hayes as he was just opening his
shop in Fair Oaks Mall in Dec of 81. Right time , right place for both
of us. John backed us to the hilt and thru the 80s he was our meal
ticket and helped us reach the mainstream. While we were still very
frugal we were able to buy a house in Delaware Water Gap in 1982.
The 80 s was a good decade and by 1990 we thought we were firmly
established. Little did we know how fast things could change ! Curt,
tired of pipe making left in 1990. The econonmy tanked , smoking laws
began to change, and an older generation of pipe smokers retired and
were no longer buying pipes. By 1992 I was selling hardly anything and
went into full time pipe repair just to survive.
Pipe repair was good to me and I brought my wife into the business.
The fortuitous thing about this was by 1995 things were beginning to
pick up for pipes again and I was able to resume making some pipes while
keeping the repair business going part time as she learned and picked
up the slack.
Being totally computer illterate at the time, I was dragged into the
computer age at her" suggestion" kicking and screaming the whole way!
I discovered newsgroups and ASP late in 1995 and advertised the repair
biz.
SOmetime in 1996 my brother who was a data base designer came up with
a data base driven web store with a shopping cart. We thought we
were on to something big and our first trial store was my pipe biz.
This became, to my knowledge, the first commercial pipe site on the net.
I later did a web retail store called Tinsky- Hayes Tob., with John
Hayes which didn t work out.
Being the first pipe maker on the net was an advantage, also the
economy totally turned around and boomed. New younger pipe smokers
finally came into the market as well as cast off s <G> from the cigar
boom.I totally cut back on wholesaling, except for John Hayes as all
my time became commited to direct sales. And what good years those
were !! In hindsight I wish I could say I forsaw it all, mostly it was
being in the right place at the right time. Serendipity....
I ll get off personal history now. Just as the early pipe shows
allowed some market for artisans to make what they wanted without
cow towing to the reatilers. The internet provided the same impetus. A
whole new group of American pipemakers began popping up. The earliest
were Paul Bonaquisti who met me over the net and some how wormed his
way into my affections and learned some of the basics as well as
getting help from John Ells.
Our own Trever Talbert , who was primarily self taught and self
marketed. It was really fun to see Trevers development into a major
pipe maker over ASP. Others followed and developed their own unique
style, to name a few: Michael Lindner, Todd Johnson, & Walt Cannoy. At
this point even these guys are ancient history and many good artisan
pipe makers have come to the fore in the past two years.
We ve also seen this happen in Europe . In the last 3 years we ve seen
the emergence of Kent Rassmussen, Cornelius Manz and other talented
carvers. Peter Heeschen and Peter Matzhold experienced carvers owe a
lot of their success to the Internet.
Also during the Internet era we ve seen the emergence of many pipe
clubs, regional and international shows as well as a fine magazine
devoted soley to Pipes and Tobacco; all in a period of declining pipe
sales and percentage of the population who smoke and more govermental
regulation. Pretty amazing !
My PREDICTION of where things are going for now is a greater movement
towards artisan pipe makers and direct sales of pipes whether thru shows
or web sites. Greater competition gives pipe smokers better value in
pipes. I think the days of the big distributing companies for high
grades is dead. Even Ashton is doing his own Marketing now. Peterson is
no longer part of a distribution network. Pipe sales are too competitive
for a middle man ( distributor) and part of his job ( marketing and
advertising) is no longer neccessary. How this has affected the
retailer is another long story and probably better told by one who has
expirienced this great change; I ll leave that story for someone else
to tell.
MT
> Regards,
> Ed
> Mark Tinsky wrote:
> > HI Ed
> > The freehand boom was certainly going when I started smoking
> > pipes
> > in 1972. I worked for jack Weinberger in 1976 and he did well
> > selling
> > freehands. Preben Hom became very popular with his own pipes and
> > started making Ben Wade freehands that were distributed by Lane Ltd
> > tens of thousands were sold during the 70 s to mid 80 s. I d say by
> > the mid 80 s it had started to wane and has never been as popular
> > again.
> > Besides Jack W there were other Americans who got their start
> > making Danish shapes. Elliot Nachwalter & Finn Mayan with Briar
> > Workshop, Mike Kabik- SvenLar, & Randy Wiley.
> > One can look at the freehand boom as the beginning of the artisan
> > pipe makers playing a more significant part in the pipe world.
> > Certainly SIxten Ivarrson played a huge role in the popularizing
> > of non standard shapes. One must remember up until then most pipes
> > were made in factories with very few handmade pipes being turned
> > out. Of course there were exceptions to this.GBD had a pipe maker
> > Harry
> > Janes (?) making large uniques. Dunhill had some handmades etc.
> > In the mid 80 s there was a turn back to more traditional shapes.
> > In America I credit Mike Butera for beginning this trend. Mike
> > seemingly coming from nowhere, made beautiful traditional shapes
> > with perfect symetry and elan. Around this time Ser Jacapo came
> > into being and also made beautiful variations of tradtional shapes.
> > America began seeing alot more castellos in t he early 90 s as the
> > monopoly WallyFrank/Hollco had on them was broken. Many other
> > Italian
> > companies came into being Grenchi, Capitello Mastro de paya, and one
> > other significant one who s name my 50 yr old brain can t recollect.
> > In the late 90 s with the advent of the Internet pipe making
> > knowledge became more readily available and a new crop of artisan
> > pipe
> > makers sprang up in Europe and the US. This has brought a swing in
> > popularity to less traditional shapes , not quite the freehands
> > of
> > the 70 s but much less traditional than artisans of the 90 s , The
> > wheel turns MT