http://www.ssiworld.com/watch/the_monster.htm
It could double as the ultimate put down machine too!
That big tall goofy looking shit in the movie Fargo had have had one of
them, he could have got rid of all the evidence 'fore that petite lil
pregnant sheriff got there now couldn't he. ;-)
Wasn't much of a movie as movies go, but I enjoyed it for some reason.
Maybe the Minnesota speak. Reminded me of my ex.
CC
The characters were believable. That always helps.
Maybe there is an answer to what to do to use up the rest of the morning
since I'm awake again.
Boot to Windows and make a Netflix re-run. ;-)
http://the-old-gnu-zoo.org/photos/fargo.jpg
I'd forgot Francis had won an oscar for her role in it. Typical Coen
brothers quality, but not quite up along side No Country.
Sheesh! 1996. Where the hell is time going Frank?
CC
;-)
Remember - not all vids are available streaming...
Yeah, right after I clicked send, I noticed the format on that one was
DVD 'nd Blu-ray only. Prolly means it's mot streamable.
May have to content myself with looking at sample DICOM case studies and
images of some dead brained mad cows. Wait! I can do that on Usenet in
Linux can't I? ;-)
CC
Prozacily...
;-)
Yeah.... that's what made it worth the trouble.
Into overdrive on the expressway. If theres such a thing as a "must
see" for you, this has got to be it: Crazyheart
Scott Cooper: The body and soul behind 'Crazy Heart'
<snip>
But how did Cooper get a movie about a burned-out country singer off the
ground, especially after Bridges passed on the script the first time he
read it?
If you look at Cooper's life story, you can see the signposts that led
him to make a movie about a self-destructive artist who, even though
he's a honky-tonk-style country singer, would be right at home in the
bountiful gallery of beautiful losers that have populated Southern
literature for decades, dating back to the days of Thomas Wolfe and
William Faulkner (who taught Cooper's father English at the University
of Virginia).
When Cooper was a boy, his mother and father would take him along to
hear bluegrass music, exposing him to the likes of Bill Monroe, Ralph
Stanley and Doc Watson. His father also turned him on to such country
icons as Merle Haggard, Waylon Jennings and Townes Van Zandt. (Cooper,
who has two young daughters, says, "If my daughter Stella had been a boy
she would've been named Townes.")