Oreste Lionello, who has died aged 81, was Italy's most 
famous dubbing artist. It was Lionello's voice that Italian 
filmgoers heard when Woody Allen opened his mouth; and such 
is the esteem for the dubbing artist in Italy - a country 
where subtitled films are generally viewed as too much like 
hard work - that Lionello and a few other voices became 
celebrities in their own right. In the words of the film 
critic Fabio Ferzetti, Lionello's perfect lip-sync dubs 
"took the original comic mask and Italianised it, turning it 
into something entirely different, with a cultural richness 
that only a local audience could fully understand".
Lionello also had a successful acting career outside the 
dubbing studio. He was a cabaret performer, character actor 
and TV mimic, whose take-off of the éminence grise of 
Italian politics, Giulio Andreotti, remained definitive for 
many years - only supplanted by Toni Servillo's more 
sinister take on Andreotti in Paolo Sorrentino's kooky 
political operetta Il Divo (due to be released in the UK 
next week).
Born in Rhodes (then under Italian occupation) to a 
career-military father, Lionello soon moved back to Italy 
with his family. His school years were spent in Reggio 
Calabria in the deep south, and he crossed to Sicily to 
study law at Palermo University. But acting was already a 
passion, nurtured in amateur groups while he worked in a 
notary's office, and finally indulged to the full when he 
moved to Rome in 1954.
He began his career as a radio comedian and gag-writer in a 
city whose entertainment scene was still dominated by the 
cabaret theatres that so inspired another recent émigré from 
the provinces, Federico Fellini. Like Fellini (who would 
later offer him his dubbing pièce de résistance - voicing 
eight separate actors in his 1978 film Prova d'Orchestra), 
Lionello did a bit of everything in his early years, lending 
his voice to Mickey Mouse, Bugs Bunny, and making his TV 
debut in the childrens' comedy sci-fi series Il Marziano 
Filippo in 1956. His feature-film dubbing career took off in 
the early 1960s, when, among other roles, Lionello 
Italianised Peter Sellers in Dr Strangelove and Dick Van 
Dyke in Mary Poppins.
But it was as a cabaret performer that Lionello had perhaps 
the greatest influence, founding in 1965, together with four 
other actor-comedians, the still-extant Roman comedy revue 
Il Bagaglino, which mixed broad comedy with political 
satire. From the mid-1970s onwards, Bagaglino's take-offs of 
political figures would be aired first in the Sala 
Margherita theatre in the centre of Rome and then segue into 
television, forming the centrepiece of the popular 
Sunday-afternoon variety shows.
However, many Italians were uneasy with the satire peddled 
by Il Bagaglino; and accusations that it flattered rather 
than criticised its targets were lent weight when the 
media-magnate prime minister Silvio Berlusconi used a 
surprise on-stage appearance at Il Bagaglino last October to 
announce a package of anti-crisis measures.
Lionello was indifferent to such analyses. But behind his 
comic masks he was a private and formal man, who 
occasionally used the "Lei" form of address even with his 
children, three of whom became actors.
Only once, perhaps, did Lionello let his mask slip - and 
even then, it was done with his trademark irony - when, at 
the end of a 2007 Italian TV interview with Woody Allen that 
he had been asked to dub, he requested, and obtained, a 
dubbing artist's right to reply to Allen's scathing comments 
on organised religion. Television audiences saw part of the 
interview repeated - but this time it was Lionello himself 
addressing them drily in perfect lip-sync with Allen, with 
the words: "I dissociate myself from Woody's remarks... I'm 
not an atheist, I'm Catholic... and I believe that we're all 
tiny glimmers of God's creativity."
Lionello is survived by his wife and four children.
. Oreste Lionello, actor and dubbing artist, born 18 April 
1927; died 20 February 2009