On 2/24/13 11:22 PM,
cathyc...@aol.com wrote:
> While she was singing they could have shown the 20 actors and actresses who died in 2012 that people actually knew. Erland Josephson?
>
Not a good example. Erland Josephson was famous the world over for
starring in Ingmar Bergman films. He belonged there.
Erland Josephson, Actor With Bergman, Dies at 88
Mr. Josephson with Liv Ullmann in Ingmar Bergman's �Scenes From a
Marriage,� the director's 1973 landmark film.
By DENNIS LIM
NY Times
Erland Josephson, a Swedish actor who worked frequently with Ingmar
Bergman on stage and screen, most notably as the star of the acclaimed
1973 film �Scenes From a Marriage,� died on Saturday in Stockholm. He
was 88.
His death was announced by a spokeswoman for Sweden�s Royal Dramatic
Theater, where Mr. Josephson had been director from 1966 to 1975. The
spokeswoman said he had been suffering from Parkinson�s disease.
Mr. Josephson combined physical stature and emotional depth in his
best-known roles. Among the most prominent members of Bergman�s
repertory company, alongside Max von Sydow and Liv Ullmann � his co-star
in �Scenes From a Marriage� and many other films � he was also the
director�s longest-running collaborator. He succeeded Mr. von Sydow as
Bergman�s male lead of choice in the 1970s, but the two men�s
partnership and friendship had begun long before that, in the 1930s,
when they were both theater-besotted young men, and continued until
Bergman�s final film, �Saraband,� in 2003.
Mr. Josephson was born on June 15, 1923, in Stockholm, into a family
with a strong cultural tradition. His ancestors and relatives included a
composer, a painter and a theater director who had worked with August
Strindberg, and his father owned a bookstore, where the teenage Ingmar
Bergman got his first break when a sales clerk invited him to direct an
amateur theater troupe.
Mr. Josephson is survived by his wife, Ulla Aberg, and five children.
His stage and screen career is inextricably entwined with Bergman�s. In
the 1940s Bergman directed Mr. Josephson in municipal stage productions
in Helsingborg and Gothenburg; his first screen appearance was in
Bergman�s second film, �It Rains on Our Love� (1946). He was a co-writer
of two screenplays with Bergman in the 1960s, and succeeded Bergman as
the director of the Royal Dramatic Theater in 1966.
After secondary roles in films like �The Magician� (1958) and �Hour of
the Wolf� (1968), Mr. Josephson, already about 50, graduated to leading
man in �Scenes From a Marriage,� Bergman�s harrowing study of a marital
battleground. With his capacity for conveying both inner turmoil and a
searching intelligence, he often played frustrated intellectuals and men
of reason in Bergman films: a prickly scientist in �Scenes�; a friend of
a woman coping with mental illness in �Face to Face� (1976, again with
Ms. Ullmann); and a controlling theater director in �After the
Rehearsal� (1984).
Unlike Mr. von Sydow, Mr. Josephson never attempted a Hollywood career.
But he became a familiar face in art films with a European twist, which
often called for him to serve as a bearded, grizzled emblem of
Bergmanesque gravitas. He played Friedrich Nietzsche in Liliana Cavani�s
�Beyond Good and Evil� (1977) and also appeared in Dusan Makavejev�s
�Montenegro� (1981), Philip Kaufman�s �Unbearable Lightness of Being�
(1988), Peter Greenaway�s �Prospero�s Books� (1991) and Theo
Angelopoulos�s �Ulysses� Gaze� (1996).
Apart from Bergman, the director with whom Mr. Josephson had the most
fruitful collaboration was the Soviet filmmaker Andrei Tarkovsky. Mr.
Josephson starred in Mr. Tarkovsky�s last two films, �Nostalgia� (1983)
and �The Sacrifice� (1986). In �The Sacrifice,� he delivered a
performance distinguished by several stark, anguished monologues as an
atheist professor who strikes a panicked deal with God to ensure the
survival of the human race as a nuclear war breaks out.
Mr. Josephson also wrote several plays, novels and memoirs and directed
the film �Marmalade Revolution� (1980). As a fellow writer and director,
and a lifelong friend, he often spoke perceptively about Bergman�s work.
�A man obsessed with failure has succeeded better than others in
portraying it,� Mr. Josephson once wrote. �This could be referred to as
the Bergman vaccination method.�
If anything, his association with Bergman grew closer over time. He
appeared in Bergman�s final theatrical productions, including �The Ghost
Sonata� and �Mary Stuart,� and in old age seemed to embrace the role of
alter ego even more fully. In �Saraband,� Mr. Josephson and Ms. Ullmann
reprised their roles from �Scenes From a Marriage.� And in �Faithless�
(2000), directed by Ms. Ullmann from a Bergman script, Mr. Josephson
played a writer named Bergman.
This article has been revised to reflect the following correction:
Correction: March 5, 2012
An obituary last Monday about Erland Josephson, a Swedish actor who
worked frequently with Ingmar Bergman, described incorrectly the
character Mr. Josephson played in the 1976 movie �Face to Face.� He was
a friend of a woman coping with mental illness; he was not the woman�s
husband.