{EXCERPT} By Rachael Tolliver Special to American Forces Press Service
FORT KNOX, Ky., Dec. 12, 2006 - Kaziah Hancock, an artist and patriot
in Manti, Utah, has put her professional life on hold as a result of
channel-surfing on the radio.
Now, she devotes most of her time to honoring American soldiers who
have died in Middle East combat zones.
"I came across a talk show, and they were talking about the
accomplishments and the life of James W. Kelly, of Salt Lake (City,
Utah). It hit me.... I became a basket case," she explained in a phone
interview with the Fort Knox newspaper. "He was a serviceman who had
been killed in Iraq."
At that moment, Hancock decided she wanted to paint a memorial
portrait of each U.S. servicemember killed in the line of duty.
"At the time, we had only been in Iraq for a short while, and we had
lost 80 people," she said. "We were still expecting a short war."
Hancock called a friend who owns an art gallery that regularly
features her work and who had several "connections."
"I told her I wanted to do a portrait for the families of the soldiers
killed, and my friend said, 'Those from Utah?' I thought for about 15
seconds," she recalled. "And I said, 'No.' Is the one from Texas any
less important to me? Or the one from New York? I told her I wanted to
do them all. I wanted to paint the portraits for free, and ship... all
of them."
Hancock's portraits normally range in price from $3,000 to $5,000.
After the American Legion did a story about her special project for
its magazine, 18 more requests came in. Hancock, whose career as an
artist is on hold because she has devoted all her time to this one
mission, said she had $5,000 in the bank, and found herself kneeling
in prayer and asking God for help.
"Then, I just kept going," she said.
"After (painting) 33 of them, I got the idea to form a non-profit
(organization) and people could express their patriotism, donate to
this cause, and even get a tax deduction. It's mostly the average
person who has contributed to the memory of our service people."
The organization she founded is called Project Compassion, Hancock
said.
Other artists contributing to the memorial effort include Ann Marie
Oborn, JoAnn Musser, Lane Bradey and Clancy DaVries, all of whom
volunteer their time and talent and work only for the cost of their
materials.
Although she is always looking for artists who want to help, Hancock
screens applicants to make sure that they will fit in as "one of the
family."
DeVries is a veteran of the Korean War, where he served in the Navy.
"I read about Kaziah in an issue of the American Legion magazine," he
recalled. "I called her and told her I would like to try some
portraits. She said she had six artists who wanted to participate and
she had not heard from anyone. I told her she would hear from me."
"(Painting the portraits) is rewarding because of the people," he
said. "I familiarize myself with the soldier, go on the Web, read
letters and other correspondence, so I know (the soldier) fairly well.
The hardest part is letting go and sending the portrait off."
When a family accepts the organization's offer, they are asked to send
a large selection of photographs and correspondence from the soldier
so the artists can familiarize themselves with the soldier.
DeVries is working on his 95th portrait.
The Detimples, of Morrisville, Pa., are among the hundreds of families
that have received portraits.
Their son, Army Pfc. Nathaniel Detimple, was an infantryman with the
28th Infantry Division, of the Pennsylvania National Guard. He was one
of three soldiers killed Aug. 9, 2005, when the Humvee in which they
were riding ran over an improvised explosive device.
"About six months later, February or so, we got a letter from Ms.
Hancock explaining the portrait and what to do if we wanted one," said
Kim Detimple, Nathaniel's mother. "Our Nat was 19. He joined the
National Guard while he was still in high school. Staten (Nat's
younger brother) did the same thing and joined in his junior year of
high school. We just came back from Fort Knox where Staten just
graduated from school. He is in the cavalry."
Kim said, and Glen, Nat's father, agreed, that Hancock's portrait,
"caught him. She captured him -- his smile and his facial
expressions."
"The most important thing (in the portrait) is that she captured my
son," Kim continued. "She is a humble person, and that is what struck
me. She remembers all of the families, not just our Nat, but all our
sons."
Hancock said she thinks of these paintings as hugs. When she dies, she
said, there will be pieces of her heart spread out all across the
globe. "That says Kaziah cared about these soldiers," she said.
"I think about all I have lost (and how I felt), and I think of those
mothers who have lost their sons and daughters," she said. "We have
sent the best blood we have in our name. If art is good, it should do
some good."
(Rachael Tolliver writes for the Fort Knox Turret.)
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