Social Investigation in Deontic Norms & Sci-fi through non-obligatory climates - by Seung Bum Kim (for media)
Deadspeak2
climates - by Seung Bum Kim (for media)
There is a deontic consistancy in Greenzone where t-1 becomes the
proposition that the sun will arise tomorrow whereas traditionally O-p
the conflict must appear according the Aristotolian plot chart. Where
p is obligatory for q as such O-p&q. Time in Greenzone appears in an
obligatory sense. While Deontic spontaneous manifestation leads to sci-
fi due to its unique existance apart from life. Going further Damon's
life is chronologically depicted..in other words as time progresses it
reveals the personality and the inner workings of Will Hunting. Though
most depictions of this sort in a biographical approach become multi-
various. But the social aspect of Will determines his personality
though his social life is in moments or with his thug friends. So his
isolated periods reveal more indepth analysis of his character since
he modulates during his talks. The best thing about the movie is that
it surpasses neo-classical film. Or a product of the Reinassance
period. Since it pulls trdition by the roots. Critical viewpoints
about his character are in the form of dialogue mainly by Robin's
character who is the main influence to Damon's transformation where
Hunting though the main character exists as a character study. It
implies that R's influence on T is a transforming agent though R takes
dominance. So the film all in all is a case study on the
transformation as derivative of a pre-existing goodness, not one that
emerges from pure darkness. Where as such Hunting makes an independent
decision thus T is not bound to R in his transformation but as a
guiding agent that is not propositionally obligatory. To draw good
will from pure darkness is another story..where a man puts his
cigarette out on his dog's eyeball and suddenly smiles at the thought
of his kids doing well in school.
Social Anatomy in Focus by Deontic Norms - by Seung Bum Kim
Dario Argento made some groundbreaking films but so controversial in
nature that they don't hit the racks. The stories primarily run on
music by the Goblins. The music is like whispers. Subtle by its eerie
qualities. And it describes the demented demon haunted psychology of
the characters that suffer the twisted condition. He used animals and
exploited them as carnage material. His movies produce a case study on
the victim and the Law. They should work on social thrillers. As
visceral as it is, it is great. A cataract in the eye thus produces a
richer element to life. God made scenes like those to fuck with the
psychotic. And in fear she sticks a fork in his eye after playing cop
to get her enemies. There's no redemption but a disasterous conclusion
which gives her just revenge..though in Stendhals syndrome she suffers
captivity after her revenge is complete. Hey, didn't you know that
nice lady was an axe wielding psycho?
Review on Argento & social horror - by Seung Bum Kim