25. Eloquence.--It requires the pleasant and the real; but the pleasant must
itself be drawn from the true.

26. Eloquence is a painting of thought; and thus those who, after having
painted it, add something more, make a picture instead of a portrait.

27. Miscellaneous. Language.--Those who make antitheses by forcing words are
like those who make false windows for symmetry. Their rule is not to speak
accurately, but to make apt figures of speech.

28. Symmetry is what we see at a glance; based on the fact that there is no
reason for any difference, and based also on the face of man; whence it
happens that symmetry is only wanted in breadth, not in height or depth.

29. When we see a natural style, we are astonished and delighted; for we
expected to see an author, and we find a man. Whereas those who have good
taste, and who, seeing a book, expect to find a man, are quite surprised to
find an author. Plus poetice quam humane locutus es.2 Those honour Nature
well who teach that she can speak on everything, even on theology.

30. We only consult the ear because the heart is wanting. The rule is
uprightness.

Beauty of omission, of judgement.

31. All the false beauties which we blame in Cicero have their admirers, and
in great number.

32. There is a certain standard of grace and beauty which consists in a
certain relation between our nature, such as it is, weak or strong, and the
thing which pleases us.

Whatever is formed according to this standard pleases us, be it house, song,
discourse, verse, prose, woman, birds, rivers, trees, rooms, dress, etc.
Whatever is not made according to this standard displeases those who have
good taste.