I wondered what the heck Paul ( which many "progressive
" music lovers regard as bland and elevator musician)
had to do with Annie.
Anyway, i downloaded the song and gosh, it's a most beautiful
one, and i must have heard it played as a classical
music excerpt.
Anyone knows about the origin of this song
and is the full length one even better.
(Annie's version is a bit short for such a lovely
tune)
Paul Mauriat had nothing whatsoever to do with this recording.
The album, "Still Life", was first released on Spartan Records in 1985.
It is formally credited to "Louis Clark and the Royal Philharmonic
Orchestra featuring Annie Haslam", though everyone treats it as an Annie
Haslam solo album (it's actually more of an extension of the Clark/RPO
series of hit "Hooked On Classics" albums; Clark also had done the
orchestral arrangements for Renaissance's "Song for All Seasons" album
in 1978).
All twelve tracks are adaptations of classical themes, eleven of them
with new English lyrics by Betty Thatcher-Newsinger (the 12th, Mozart's
"Ave Verum Corpus", is sung in the original Latin text). The songs and
their original musical sources are:
"Forever Bound" (Tchaikovsky: Symphony No. 5, 2nd movement)
"Still Life" (Bach: Orchestral Suite No. 3, Air)
"One Day" (Faure: Dolly, Berceuse)
"Shine" (Satie: Gymnopedie No. 2)
"Careless Love" (Chopin: Etude, Op. 10, No. 3)
"Glitter and Dust" (Tchaikovsky: Swan Lake)
"The Day You Strayed" (Faure: Pavane) [Annie also recorded this same
tune with different lyrics as "The Sweetest Kiss" on her 1994 "Blessing
in Disguise" album]
"Save Us All" (Albinoni/Giazotto: Adagio) [Renaissance had previously
recorded this same tune with different Thatcher-Newsinger lyrics as
"Cold is Being" on their 1974 "Turn of the Cards" album]
"Skaila" (Delius: Koanga, La Calinda)
"Bitter Sweet" (Saint-Saens: Carnival of the Animals, The Swan)
"Chains and Threads" (Wagner: Tannhauser)
any chance it's available on (legitimate) CD ?
bobo
I don't know about the other two, but I've seen the One Way one listed at
Artist Shop.
--
Raymond
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This all sound rather intriguing... Any opinions on it's artistic merit?
--
Chris Bekhuis
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