mr. suds: you are clearly intelligent, earnest and articulate but, i
feel, excessively partisan and "down" on our banter, which indeed makes
light of the "extreme pushers", but also of a whole range of polka
issues, such as the controversial grammy awards, the return of the
chicken dance,etc. humor is healthy and good and should be allowed in
any open society.
yes, scratch the jocular surface---as in most humorous
situations---and you may well find some underlying
problems---many---even most, i suspect, fans of the traditional polka
music have misgivings about the "ex-p" effort, which seems to be
throwing out the baby with the bath water; i.e. in their avowed move to
save polka music they are actually suppressing the polka''s name ---as
well as changing its beat in some instances , purging its ethnic
character ,etc. ---nor have the movement's actions been all that
benign: fine musicians have been fired for disagreeing with the "push"
idea and the ex-p leaders are given to fulminating against such polka
mainstays as big joe's (traditional ) polka show ( by far polka's
music's greatest presence in the nation's entertainment world) and to
denigrating various polka styles (german, czech and slovenian) as
"horrid oompah music."
still, all we are doing is having a bit of fun with the whole
thing ---the situation somehow just naturally moves us to humor. you
are a clear supporter of the ex-push people, whom you describe as
creative, innovative, refreshing and innovative. actually my main
problem with their work ---and i am speaking as someone who has been a
musician, songwriter and lifetime lover of polka music---every
style--and many other genres , is , as i wrote above , that it seems to
lack the very "edge" you and they are "pushing".i periodically listen
in for signs of progress in the ex-p scene and to date have heard only
a collection of numbers bearing a faint resemblance to calypso or
merengue music(but without the fully developed authentic charm of these
genres)
, as well as various cw and rock music adaptations done to a beat which
, while not like the original is, many complain, not a danceable polka
either.the greatest problem with these numbers , i feel , is that their
melodies and texts are uniformly bland. in my "day job" (career) as a
high school teacher i work with teenagers every day and i can guarantee
you that, to most of these kids, this material would be considered very
sub-standard (sub-human, actually) in excitement,
subject matter, relevance, lyrical/emotional content ---and actually
every other criterion one could imagine....
further down in your song of praise to the "pushers" you write
that there is..."just a handful of groups that dare to approach the
parameters of the polka norm,etc....and that "they are kind of polka
missionaries---let's give them support to proselytize." well, nobody is
stopping them---and actually, as i've said before, if their success
were to help polka music i'd welcome it. but----here (to use a word
borrowed from a distinguished recent "poster") your view is dangerously
skewed--in a pseudo- religious sort of way--because actually virtually
no one wants to, nor should have to, support missionaries "pushing" a
doctrine that differs from their own. that's why i, like most people,
will not let
church "proselytizers" in my door on weekend mornings. when you say"
the huge majority of bands are content to play for the flock, even
though that flock is diminishing" you disregard the fact that this huge
(although diminishing ) majority exists because it is based on the
"real thing" -- european-derived ethnic roots music, the soul music of
many european peoples, augmented and modified by generations of
american- born musicians and music lovers of european descent. the new
ex-p you "push" , by contrast, is the product of a few musicians''
efforts to build a separate identity for themselves and their music--.
what i keep waiting to see (or ,actually, hear) in these renditions is
some passion, some guts, some significant song content in text or
melody that will make it exciting enough to warrant a second listen by
teens, "twens", thirty-somethings---or even myself at the age of
60...you write that these people were raised on and fired up by
"holiday in poland/suicide polka" ---so let them come out with
something approaching this quality to merit the effusive praise you
have bestowed on them. in terms of lyrics all i have heard so far in
repeated listenings has been a number of songs saying "hey, let's go
dancing (on a boat or in a club, depending on the song) to a push
band."
how could they do better? examples ( the following just took me
about 30 seconds to list---i'm sure there are many more if someone
would make the effort): the brilliant innovative dylanesque polka work
of rotondi,in the 70's, who i think were light years ahead of any of
the x-pushers, or anyone writing polkas in english, for that matter;
the
polkas of the texas tornadoes (such as their regional hit "who were you
thinking of?" (when i was making love to you) --of a few years back
---similarly the polkas of the doug sahm group,the bluegrass/norteno
hybrid work of peter rowan, the english-language songs of lil joe and
the familia (tex-mex) super stars---work of the grateful dead (like the
"tijuana blues", horns and all---it's a polka),the rolling stones,
cajun zydeco groups, bob dylan himself--who seemed to serve as an
inspiration for rotondi---even weird al yankovic. what do all these
polka-compatible groups'songs and traditional polka music have that
ex-push hasn't come even close to demonstrating?: passion , meaning,
depth, funkiness, grit, yes, street appeal , fire , some humor
and cojones (in polish the word is jaja---if you don't understand
either you should get down with the ethnic scene )
you complain that the word pimp is distasteful and infer that any
song containing it must be bizarre, shocking, profane and
disgraceful.actually,as the recently-posted chicago press article
informs us,the (truly) innovative polka group the polkaholics regale
packed houses with their hit song "polka pimp.the word pimp is so
common among young people that it is a
joke.as for
distastefulness,amidst the general blandness of the extreme push
repertoire one song does stand out as coming pretty close to the edge
in this category; namely, one of the movement's leaders'lead numbers,in
which a girl is repeatedly urged to grab a guy's kielbasa. i rest my
case.
ultimately, of course, the proof of the pudding (or kielbasa) is
in the eating ---that is to say, public approval or lack thereof will
dictate what music prospers or fails. personally , although basically
a traditionalist , i guess, i would love to be able to enjoy polka-like
work approaching the quality of the numerous artists mentioned above.
..so i'd be thrilled if this or some other stimulus would "push" the
"x-ers" inthe direction of some ral creativity ---and music that has a
small fraction of the excitement generated by the greatest of the
"old-style" polka stars.
finally, in keeping with your missionary analogy, you "push"
mightily for the x-push camp ---you should definitely be drafted to
write their album liner notes (if that is not already your function).
but even the best spin can't prevent dramatic shortcomings from
eventually being revealed ----how much these discussions remind me of
the fable of the emperor's new clothes....
in closing i would stress that we were all joking around---humor
is healthy , fun and essential in a free society ---and beware of an
institution or movement that cannot take a joke at its own expense.
your missionary analogy is also revelatory---historically (in colonial
times around the world) christian missionaries were notorious (and
reviled) for being narrow-minded, intolerant of humor and differences
of opinion ---and for branding everything from lipstick, to kissing,
holding hands and the singing of traditional songs as (where did i hear
these words recently?)
profane, bizarre, shocking or disgraceful. take care not to fall into
that mold ---otherwise you can knock on the nation's doors every
weekend morning til hell freezes over but no one of sound mind will let
you in. peace out--jr