paul
--
mailto:obr...@earthlink.net
"The greater the diameter of your knowledge, the
greater the circumference of your ignorance..."
p.s. anyone loking for a matte painter or concept artist? I know one
who's pretty available... hint hint
acrylics are the easiest to work with, with plenty of nifty medium
enhancements, though they do dry faster than oils.
Start with knowing what is going on in the background...then use a
grease pencil to scetch out the basics, outlines and such.
The first layer of acrilic will be hard to laydown, but easy to build
on.
Paint away.
I'm not a definitive source... done it twice, but poke around abit to
get more professional advice if needed.
Warning! To reply via e-mail:
remove the "anti-spam" device from the address
Thanks for your response.
Paul
I've seen this book at the bookstore. Thanks. I'll have to get it.
Thanks for your helpful post. I will follow up on the references and
put your e-mail address aside in case I have any questions.
Paul Oberlander wrote:
> A friend of mine recently asked about how matte paintings are done on
> glass. I didn't know, but it got me thinking. What kind of paint is
> used to do matte painting on glass? Is it oil or water based? Do you
> use standard oil paints or acrylics or gouache? Are there any special
> techniques involved?
>
> paul
> --
> mailto:obr...@earthlink.net
>
> "The greater the diameter of your knowledge, the
> greater the circumference of your ignorance..."
Check out "The technique of special effects cinematography" by Raymond
Fielding for an excellent source on glass matt paintings and other optical
effects
Post away. Matte paintings have always held a fascination for me.
I'd love to know anything and everything about the subject.
Kevin VanHook
VanHook Studios