bonestructure
unread,May 19, 2012, 5:24:35 PM5/19/12You do not have permission to delete messages in this group
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The Dead Outside
The story for The Dead Outside sees a world, or at least Britain,
infected by a virus which has killed most of the population and turned
them into walking dead. The disease is spread through human contact
and has decimated the population. A man is travelling across Scotland,
presumably trying to find some safe haven or find some sense amongst
this madness.
When his car runs dry of fuel he hikes to a local farmhouse and finds
that there's another survivor living there, a young girl who has been
put through so much to survive. And she pretty cute, too, even if she
is kind of emo.
Initially she tries to push him away and force him to leave, but soon
she realises just how much she has missed human contact and with a
bond quickly forming between the two she decides he can stay. Another
survivor arrives and the relationships become a little more complex,
particularly as this new arrival is both female and the man's own age.
However he's discovered a secret about the girl, something rather
special and unique, and this could be more important than any of them.
Quite early on with The Dead Outside you notice just how well thought
through the story is and how well they've transferred that to the big
screen. There are so many ways they could fall foul of clichés and
standard ways of telling this story and yet they've clearly put effort
into not doing that and bringing out something a little more unique
and interesting.
Stylistically the film is really good with some nice camera work, good
cinematography and editing, and holding on tightly to the idea of the
characters and their relationships rather than any huge action
sequences of fighting hordes of infected people.
They don't try and make the film show the epic scale of the events, or
tackle the story from a solve everything angle, instead it's purely
about the characters that they are following and how they are dealing
with the events at their level, on a day to day basis, leaving the
whole larger, worldwide event, to be dealt with elsewhere.
I really like that aspect. There's more time to develop characters and
their relationships. We aren't thrown into huge action sequences and
piles of gore unless the characters are, we see events and experience
them as they do, from their viewpoint, instead of pulling out to a
much larger view and trying to scare us with epic horror. Neither does
the film try and answer every aspect of the event from its beginning
to the end and any resolution, there's no need to over explain events
rather than just showing them effect the characters, and all that
makes for a much more believable story.
The camera work and cinematography is one other aspect of the film
that raises it above others in its bracket, and during darker scenes
and outside moments they remain strong. Of course it still carries a
low budget feel, but it's filmed and made far better than you would
expect.
There are some instances though where it's not as strong. Some of the
fight sequences are blocked out a little too much and the editing and
filming of these could have been a bit better in order to maintain the
same quality of the rest of the film, but it's not particularly poor,
it's just not as good as the rest of the film. Bear in mind that these
scenes are short and hardly as confusing as the Hollywood action
sequences we are often subjected to.
The performances are good too. For me the best was undoubtedly the
girl who lives in the house played by Sandra Louise Douglas. She gives
a convincing performance, and does manage to show a fair amount of
anxiety hinting at something more than just straight up anger. The
underlying fear that she carries with her, a fear that shows itself in
her attempts to continually push people away, continuing to bubble
under the surface and gives her character an edge that your never
really sure is dangerous or just extremely cautious. It helps to show
that there's something more hidden there, something that reveals
itself as the film goes on.
Alton Milne and Sharon Osdin are also good in their roles. Milne
doesn't ever seem to overplay his character and neither does he
underplay it either. To begin with I thought he might be coming from
the moody looks and little dialogue school of acting, but that's the
reality of the world created in the film, and reflects the cautious
and suspicious behaviour at being a survivor. As the film continues
and the relationships develop his character comes forth a bit more and
we start to see there's more to him than the moody survivor.
I was expecting a cheap, low budget atypical British horror, the kind
that is beginning to dominate in the higher end market and defining
the British section of the genre to the foreign film viewer. However
it's far from that, there's no comedy and it's all about the
psychological horror, the emptiness, the loneliness, the distrust and
the feeling of being alone, and to top it all a bit of survivor guilt.
The script is good and doesn't rely on clichés, and the lead actress
gives a strong performance, ably backed by her two co-stars.
The atmosphere and style of the film is the best surprise though, and
doesn't give away it's lower budget status. It concentrates on the
characters and the smaller locations, bringing the isolation and
loneliness to the fore and not concentrating on some big, epic zombie
story. Instead we get a horror-thriller concentrating on characters
and relationships, something I really didn't expect from current
British horror, much less Scottish horror.
The Dead Outside is another great example of Scottish film providing
something new, intelligent and with a bit more quality than many other
low budget films being produced in Britain. It's a fine example of
film-making and should get far more exposure, this is undoubtedly a
sign of what Scottish production should be investing in, and not the
depressing drug taking and horror-comedies that we're continually
being exposed to.