Source: The Horror in the Museum, Arkham.
Synopsis: A doctor accompanies some men to the home of a paralyzed
war veteran and writer whose servant has fled screaming. This doctor
recalls that the house was once the home of a man who was found dead
under horrifying conditions. When they arrive, they find the dead writer
with a manuscript still in his typewriter. After taking it home to read,
the doctor goes into shock over the manuscript's contents, which are then
repeated to us.
Comments: Boy, I'm glad this is only a secondary revision. Some
ambiguity in a horror story is good, but this story left too much nebulous
and unanswered. The "undeterrable narrator," who continues to write out his
story no matter what, is a standard device in Lovecraft's stories, though
this story takes it too far. Even a severely handicapped man such as Richard
Blake would have attempted to leave a room unaided if it were on fire (and if
he didn't he probably wouldn't have the presence of mind to use words like
"Ocypetean"). The final passage is somewhat unnerving, but lacks the
immediacy of "You fool, Warren is DEAD!"
As I posted last spring, C. M. Eddy was one of HPL's few Providence
friends, and this was the last short story which Lovecraft revised for him.
I wish I could tell you more, but the only reference in his published letters
is in Vol. 3, which I don't have. (If someone does, please turn to page
328.)
That's all I have. Oh -- and Lovecraft hadn't heard from Robert
Bloch at this point, otherwise I'd speculate that "Richard Blake" was a
play off his name.
Daniel
Wait till we get to "the Diary of ALonzo Typer". It features a protagonist
who must be the MOST undeterrable of undeterrable narrators, judging from
his final entry.
"We Know you Can Hear Us, Earthmen"...a C-45 of electronic music with
influences as diverse as Raymond Scott, Magma and Tangerine Dream...
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Ramsey Campbell wrote a book of Lovecraftian short stories
called _Cold Print_; they're mostly mediocre, with only one or two
good ones. Anyway, in his introduction to the volume, he discussed
how he began by writing Lovecraft pastiches; in one of them, a victim
was scribbling on a telegram form while loathsome creatures were
coming up the front path.
Incidentally, Campbell's novels _Ancient Images_ and _Midnight
Sun_, while not Lovecraftian in style, share something of the same
sensibility, and are excellent.
Andrew Kuchling
a...@magnet.com
Probably most of these came from "The Inhabitant of the Lake and Less
WElcome Tenants", his first book, which I own. Though I did foolishly
paint "Revelations of GLaaki" on the cover when I was much younger and
unaware of the VALUE of some things.
One annoying bit in the intro is that Campbell rails against the
anti-Derlethites, and then proceeds to ridicule the over-classification
and name-dropping that he and his disciples engaged in. Oh, well.
> The Shadow over Usenet
> "Deaf, Dumb, and Blind"
> Source: The Horror in the Museum, Arkham.
> That's all I have. Oh -- and Lovecraft hadn't heard from Robert
>Bloch at this point, otherwise I'd speculate that "Richard Blake" was a
>play off his name.
>Daniel
This is NOT a flame!!!!
Sorry, but I think you're mistaken on that point. Bloch and HPL had
been writing to each other for some time by then. Bloch returned the
"Robert Blake" favor by writing one where HPL gets killed off. They
both had a good laugh over those. Check out Lin Carter's HPL biography
if you think I'm wrong. I've also read it in several other HPL bios
and an autobiographical bit by Lovecraft himself. Try the biggest
public or college library in your area. I found almost all of the bios
in the UGA library in Athens Ga. back when I was a student there;
Back when dinosaurs ruled the earth, you know, the mid '70s.
Respectfully,
Vila
Tom
Jason Thompson
Knygathin Zhaum