Benny
Joe
--
"If the injustice has a spring, or a pulley, or a rope, or a crank,
exclusively for itself, then perhaps you may consider whether the
remedy will not be worse than the evil; but if it is not of such a
nature that it requires you to be the agent of injustice to another,
then, I say, break the law."
-- Henry David Thoreau, "Civil Disobedience"
Benny Hsu <bhs...@worldnet.att.net> wrote in message
news:7o9k5h$h55$1...@bgtnsc03.worldnet.att.net...
BUT, make sure you get one with reverb. You will enjoy it more.
I recommend shopping around for something used. Lots of guys trade up
as they get more serious, so you should be able to find something good
for not much money.
The other day I saw a used Fender RAD combo (Reverb and Distortion) for
$35 USD!!!
Good luck!
J.
In article <VNYp3.54$Qn4....@ptah.visi.com>,
Sent via Deja.com http://www.deja.com/
Share what you know. Learn what you don't.
Yeah they sound like shit. Get a Fender Blues Junior Combo and forget that
low end solid state crap. Solid State doesnt start to sound good until you
spend
alot more than what that original poster can afford now.
Yer' whacked! He said he was considering a 15 watt practice amp that
goes for around $75 bucks! And you tell him to go buy a $325 tube
amp!???
I've taught guitar for over fifteen years, and the fact is that not
everyone can afford to spend that much. For PRACTICING at low volumes
in your apartment or bedroom, SOLID STATE IS FINE.
Blues Jr. is a great little amp, but it's probably NOT THE BEST CHOICE
FOR EVERYONE. (Then again, if my mom had bought me one when I was a kid
I would have been psyched! :-)
Benny, if you're reading this, this is your first exposure to a
long-standing argument, i.e., tubes vs. transistors. Personally, I
prefer a tube amp when I play with a band, but I have a solid state
practice amp that works great in my apartment.
Tubes generally sound better, but there are a host of drawbacks, e.g.,
tube amps are heavier, more expensive (plus, tubes wear out and need to
be replaced), and usually more fragile.
For the pros, there's really no choice, you go with what sounds best,
i.e., tubes. For a beginner with limited funds, a solid state amp is
probably the best choice.
Don't let these snobs tell you to spend more money. Most of them earn
their living fixing broken tube amps... ;-)
J.
Gallard wrote:
> Get a Fender Blues Junior Combo and forget that
> low end solid state crap. Solid State doesnt start to sound good until you
> spend
> alot more than what that original poster can afford now.
ps- neither do tubes...
josif
--
"If the injustice has a spring, or a pulley, or a rope, or a crank,
exclusively for itself, then perhaps you may consider whether the
remedy will not be worse than the evil; but if it is not of such a
nature that it requires you to be the agent of injustice to another,
then, I say, break the law."
-- Henry David Thoreau, "Civil Disobedience"
<jay...@usa.net> wrote in message
news:9F2190ABF535A642.78C1D227...@lp.airnews.net...
>I'm going to be getting a new electric guitar and amp. Someone suggested a
>good beginners amp would be a Fender Frontman 15R. Would some of you agree
>with that? I want one around that price range. What else would you suggest.
>I don't plan on performing soon, but a good practice amp.
I'd recommend the VOX PathFinder unless you're into heavier music. This amp
is the best sounding solid state practice amp I've heard, particularly for
blues, classic rock, and jazz tones.
If you're into heavier music, you might want to look at the new Ibanez
practice amps. They have a decent distorted sound for a small amp.
The small Fender, Crate and Peavey solid state amps really don't sound that
good, although most can produce a decent clean tone that you can put a pedal
in front of to get some satisfaction. They also have a tendency to clip
horribly if you push them with a humbucker equipped guitar, something that
the VOX and Ibanez don't do as bad.
A nice little tube amp is the Crate VC508. It's about the cheapest way to
get real tube tones for under $200. The only caveats I have about it is that
there are some quality problems with them so check them out closely and it
really isn't a suitable amp for metal styles.
Frank Carr
jfc...@msn.com
I'd avoid solid state if possible. Yeah, it might be fine, but
a good tone makes you want to play more. An amp that lets you
hear nuances helps you avoid playing sloppily. (Of course, it
also intimidate some people...)
I'd look for a good, used, tube practice amp.
Of course, if you want a warranty, that makes it tougher unless
the dealer will offer one.
If you're not that worried about tone, go ahead and get the solid
state amp. It will be fine. Tubes would just be finer. 8^) If
you stick with a name brand, you should be safe.
The nice thing about going with SS is that you can probably more
easily afford reverb. You want to leave the reverb off most of
the time when practicing, but it can help cover up sloppiness, so
when you're getting frustrated, or want to play for someone, it's
nice to have that reverb. Plus, it just sounds cool.
-Miles, Mr. Pragmatic
josif
--
"If the injustice has a spring, or a pulley, or a rope, or a crank,
exclusively for itself, then perhaps you may consider whether the
remedy will not be worse than the evil; but if it is not of such a
nature that it requires you to be the agent of injustice to another,
then, I say, break the law."
-- Henry David Thoreau, "Civil Disobedience"
Gallard <gal...@access1.net> wrote in message
news:37a9...@news.access1.net...
I had a Montaya Les Paul copy w/ bolt on neck and my
friend/mentor/corruptor lent me a tiny solid state Kingston with two
knobs: volume and tone. I'm sure it sounded terrible but it didn't
matter 'cause I was driving it with a Big Muff and had everything
cranked to 10. It screamed!
GOD THAT WAS FUN!!!
I got my own amp about 3 months later. It was a 100 watt Univox bass
head (c.1971) thru a beat up old Fender 2-12 cab. All tube, no reverb,
no master volume, VERY LOUD! I think I paid $100 for the whole rig.
The Big Muff did a lot for the tone of that amp too... ;-)
Regards,
JF Cole
Dallas TX
J.F. Cole wrote in message <7od6hm$4ke$1...@nnrp1.deja.com>...
Yer' Still Whacked! ;-)
If economics is a concern, you sure as H@LL shouldn't encourage yer'
kids to be playin' guitar!
GO BUY SOME MUTUAL FUNDS! :-o
And if a used Blues Jr. is worth more than $150 bucks in 3 years, I WILL
BUY YOU ONE. (Scout's Honor... :-)
I agree that a crappy rig will turn even the most enthusiastic kids off,
but you're still misguided. A $75 SS amp will do fine. Spend the extra
money on the guitar.
J.
Regards.
J.F. Cole wrote:
>
> I'm wondering what amps other people started on... I started out on
> classical but switched to electric when I was 15. That was 20 years
> ago.
>
SS
Alpep wrote:
> In article <7od6hm$4ke$1...@nnrp1.deja.com>, J.F. Cole <jay...@usa.net> writes:
>
> >I'm wondering what amps other people started on...
>
> black panel princeton reverb (bought new ) with an extremely cheesy 2 pickup
> red japanese electric guitar and a black wedge clone of the maestro fuzz. still
> have the princeton put it through hell and it still kicks.
The first one I played through was a Sears/Silvertone
amp-in-case with the guitar that came with it. Belonged
to a friend named Martin.
First amp of my own was an old tube PA amp I hacked around
with and played through a 15" speaker I'd yanked from some
dead item.
Made my own pickup for my acoustic from an old 2.5" speaker
(from a dead portable transistor radio), and wound my own
cable from old phone wire (hey, I was home sick, and I was
13 or 14, OK?)
A tad noisy, but way too loud to play in the house.
Feedback was easy, tho. 8^)
My first real guitar amp was an old Kalamazoo Model One.
Gave it to my son last Christmas...
-Miles
Well personally I recommend Laney LC series if you are on a medium budget.
The LC-15R only cost $250+ and has effects loop, reverb, bright channel. The
30W version has 2 seperate channels with independent EQ, and cost around
$350+.
josif
--
"If the injustice has a spring, or a pulley, or a rope, or a crank,
exclusively for itself, then perhaps you may consider whether the
remedy will not be worse than the evil; but if it is not of such a
nature that it requires you to be the agent of injustice to another,
then, I say, break the law."
-- Henry David Thoreau, "Civil Disobedience"
J.F. Cole <jay...@usa.net> wrote in message
news:7od6hm$4ke$1...@nnrp1.deja.com...
> I'm wondering what amps other people started on... I started out on
> classical but switched to electric when I was 15. That was 20 years
Monte Barnett
mbarnett AT valleyint DOT com
>x-no-archive: yes
>
>J.F. Cole (jay...@usa.net) wrote:
>+------
>| I'm wondering what amps other people started on... I started out on
>| classical but switched to electric when I was 15. That was 20 years
>| ago.
>+------
>
>I played fingerpickeing acoustic from age 10 to 14 ... then got a
>Gretsch Chet Atkins amp for $150 and a Teisco electric when I was 14. I
>had to play in the basement when no one was home because my mother and
>my sisters thought I had lost my mind. Next summer of 1975 I turned 15
>and got a summer job and bought a real electric... a cherry red SG,
>and a Univox Super Fuzz.
>
>Kiira
>
1972. A Fender Mustang through a Univox SS bass amp. After a year or
so I got a job and saved enough for (chery red) '68 SG and a Peavey
Deuce II.
-Scott mcKnight
You were saying......
>I'm wondering what amps other people started on... I started out on
>classical but switched to electric when I was 15. That was 20 years
>ago.
A 30 watt Goltentone combo (age? probably out of the fifties I
think). Tweed(ish) vinyl. 2x12 Rola twincone speakers. And used
2xEL34is as outputs.
I rebuilt it to piggy back head and sealed speaker box (and of course
black vinyl :-( ) to make it look more powerful like the ones my
mates could afford to buy. :-)
My seond amp, I still have. It's a Maton Powerpack Studio amp. Really
nice reverb. 2x12 speakers. uses 2 EL36 output tubes (about 40 watt).
combo style, but not open back - the speakers are fully enclosed.
__ \ \ __ /__ / \
| | _ \ / / _ \
| | ___ \ / / ___ \
____/_/ _\____|____|_/ _\
There are things I miss being able to use it for, like plugging it into
itself and adding pedals to turn it into a pseudo-synth without caring
what happened to the amp/ speaker. Maybe I'll get it again, just for that.
--
"Some people's idea of free speech is that they are free to say what they
like, but if anyone says anything back, that is an outrage."
-Winston Churchill
But my dad was a ham, and he was fairly well familiar with tube amps,
soldering irons, oscilloscopes, etc., So he tweaked it for me and
helped me get "that goddamned noise" I wanted out of it. He used to
work on my cousins Showmans and Twins too. I recall putting a fairly
large rheostat on the output of that amp to be able to get my
distortion and keep the rest of the family from suffocating me in my
sleep (think Powerbrake without the chassis).
The old man held court occasionally with the local kids who were in
the ham club. Two of those kids, Mark Gummer and Gary Kimball, started
a business called Northeast Sound (I think that's it - damn my memory
is the shits - Northeast, Southeast, something like that). They do
major concert sound now - ya know, stadiums and festivals, etc.
Occasionally I run into them at ham fests and the like, but it's been
a really long time and I don't live in that neighborhood anymore.
In highschool I probably owned 15 guitars. Went through em like they
were socks for awhile there...Melody Makers, Strats, SG's, LP's,
Musicmasters, Mustangs, a Hagstrom or two.... Then there were the
amps....hehehe....
Cheers,
Steven