Dec. 11, 2006 | You know that point in a Stephen King novel when you've 
sort of figured out that the creepy dollie -- the one with the plastic 
hair and serenely stupid eyes that roll in two different directions -- 
is actually an animate object wreaking havoc and destroying people and 
you wonder why the townspeople haven't cottoned on and crushed the damn 
thing under a truck or something? 
I think it's safe to say we've reached that point with Paris Hilton. We 
need to acknowledge that Hilton is not simply a tabloid diversion but a 
malevolent blight on the pop culture landscape. 
For too many years we have sat, paralyzed in the tractor beam of her 
wall-eyed celebrity, watching mutely as bad things happened to her band 
of D-list compatriots. We have witnessed the declining personal fortunes 
and liver health of her rotating cast of skuzzball BFFs, boyfriends and 
frenemies -- Bijou Phillips, Nicole Richie, Kimberly Stewart, Lindsay 
Lohan, Brandon Davis, Stavros Niarchos, Tara Reid -- because, really, 
who the hell were those people, anyway? 
But then, a couple of weeks ago, Hilton started messing with Britney 
Spears, weighing down Spears' Phoenix-flight from her crapola marriage 
to grody Kevin Federline by dressing her up in tutus, taking her 
partying till all hours, and encouraging her to flash her whiskerless 
nether regions to paparazzi. Now, we all know that Spears is perfectly 
capable of attracting the interest of Child Protective Services all on 
her own. But this most recent visit from the state, as reported by Page 
Six last Wednesday, cuts deeper than any baby-dropping seat-belt 
infractions ever did. That's because we suspect that it has not been 
prompted simply by Spears' legendarily poor judgment or naiveté. No. 
Those unfortunate qualities just made her an easier mark for the 
pernicious influence of the world's most famous succubutante, and the 
rope line of gaunt, twitching bodies in Hilton's wake tips us off that 
it's unlikely to end well for her latest victim. 
It's time to admit that Paris Hilton, that creepy dollie, must be 
destroyed. Metaphorically, of course. 
Frankly, the time could not be more ripe for a recognition of Hilton's 
"Bad Seed" villainy. Even before her tabloid molestation of Spears, eyes 
were beginning to spring wide with comprehension. Three weeks ago, 
former "Saturday Night Live" head writer Tina Fey told Howard Stern 
about her antipathy for Hilton, calling the heiress a selfish, 
untalented, brainless "piece of shit" "SNL" guest host who is 
"unbelievably dumb and so proud of how dumb she is," and left "nasty 
wads of Barbie hair" on the floor of the studio. Meanwhile, conservative 
Manhattan Institute writer Kay S. Hymowitz wrote a piece in City Journal 
about the pervasive loathing of Hilton, summing up quite neatly Hilton's 
role as a "synonym for American materialism, bad manners, greed ... 
parochialism, arrogance, promiscuity, antifeminism, exposed roots and 
navels, entitlement, cell-phone addiction, anorexia and bulimia, 
predilection for gas-guzzling private transportation, pornified 
womanhood, exhibitionism, [and] narcissism." Hymowitz argued that while 
she "may be a composite of contemporary American sins," the act of 
hating Hilton is "a sign of lingering cultural sanity." 
When Paris tore into Britney -- who, whatever inane decisions she has 
made, or been pushed into, during her decade in our pop culture 
consciousness, has retained an aura of pink-cheeked, creamy-bellied 
vulnerability -- she crossed a line. Spears fans, more frantic about the 
deleterious effects of Hilton than of the ghoulish Kevin Federline, 
swamped Spears' MySpace page with pleas, including one begging the 
singer to "please get away from the Parasite." On "The View," Rosie 
O'Donnell called Hilton an "idiot" and offered to adopt Spears, saying, 
"We don't want Britney hanging out with Paris." Hilton's face even 
appeared on the front of the New York Times "Week in Review" section, 
next to William Hamilton's headline "The Bar for Bad Behavior Keeps 
Getting Lower, Until It Doesn't." Hamilton's piece, about Michael 
Richards' racist tirade, O.J.'s canceled confession, and Spears' snatch 
shots, didn't even mention Hilton by name. But her image on the front 
was a tip of the hat to Hilton's role as devil on the shoulder, a 
bloodless specter of bad influence, a nipped and plucked incarnation of 
the kind of dark figures supposedly encountered by young girls in the 
Salem woods in 1692. 
Hilton first came to national attention eight years ago, the teenage 
heiress to the Hilton hotel fortune. She was a wealthy party girl who 
liked to pose for photos and dance on banquettes at the tail end of '90s 
New York's boom days. And why not? The sun had risen and set on many a 
wifty socialite with no discernible skills, talents or opinions. What 
grated particularly, perhaps, even in those early days, was Hilton's 
open vapidity -- the unapologetic blankness of her stare, her affected 
Valley Girl upspeak, the fact that she didn't even bother to try to 
disguise her own lack of intellectual or moral ambition. But still -- 
another decade, another spoiled child pictured in the papers and in the 
pages of Vogue. 
But Hilton's fame mysteriously increased as her coming-of-age coincided 
with a booming Internet gossip culture and an explosion of weekly 
magazines in need of trashy characters to keep their serialized 
narratives chugging along. Hilton saw an opening and took it, gaining 
enough steam for simply being rich and divertingly dumb that she landed 
a feature profile in Vanity Fair and a snail trail of photographs 
tracing her moves from nightclub to movie premiere. She became the star 
of a night-vision sex tape in which she left an impression not by 
showcasing one smidgen of eroticism, but by answering her cellphone mid-
act. 
She starred in a reality show, "The Simple Life," with her friend Nicole 
Richie, in which she got to showcase her rich-girl indifference and 
rock-bottom stupidity about class. She created a mini news cycle by 
losing her Chihuahua, only to later discover she had forgotten she left 
it at her grandparents' house. She has trademarked her catchphrase, 
"That's hot," and been unashamed to admit that despite all the 
educational advantages her family's vast fortune could provide her, she 
is not aware that London is in the United Kingdom. This has been 
Hilton's whole shtick: I'm dumb and badly behaved, but it doesn't matter 
because I'm rich. 
And that's really it. That's what she's famous for. The press, often at 
a loss for words as to how to explain what, exactly, Hilton is or does, 
describe her as an "It" girl. But given that even her fashion sense is 
abysmal by every possible standard, it's impossible to argue that Hilton 
has "It" unless "It" means a hairless hooch and the willingness to 
expose it. 
In some ways, Hilton's presence on the celebrity scene is troubling 
because of the suspicion that she is a straw woman for all those who 
like to think of young women as dumb floozies. We keep her there, as a 
mortifying symbol of American womanhood -- yes, she is famous overseas 
-- in part because she is a satisfying punching bag for anyone with 
women issues. This year Keith Olbermann felt free to call Hilton a slut 
on air and speculate about whether anyone had ever ejaculated in her 
face. One of her former conquests, Elijah Blue Allman, has said that he 
used Tilex to clean his genitalia after their unprotected encounter. As 
Hymowitz observed in her piece, "slurs like 'tramp,' 'tart,' 'slut,' 
'skank,' and 'skanktron' have suddenly become acceptable again, as long 
as Paris is their target." Indeed. Unable to choose between politically 
incorrect punch lines, the New York Post recently ran a photo of Hilton, 
Spears, and Lindsay Lohan under the cover headline "Bimbo Summit" and 
the inside headline "3 Bimbos of the Apocalypse"; the piece concluded 
with the sentence, "Skanks for the memories!" And it was funny! Which is 
part of what is so dangerous about our attentions to Hilton. It's easy 
to suspect that it is because she offers gratifyingly inappropriate 
opportunities to lash out against femininity and sexuality (outbursts to 
which few object, because there is literally no one who wants to defend 
her) that she has remained famous at all. 
But aside from the creepiness of what she says about a not-so-latent 
American desire to have a stupid and sexualized woman around to degrade 
and humiliate, what makes Hilton horror-movie scary is the evil that she 
spreads. It's the poisonous effect she has on people and how long it's 
taken anyone to really catch on. Look at the trail of consumptive, 
addled, brokenhearted, humiliated bodies she's left behind her: Hilton's 
most famous friend Nicole Richie has suffered from an "inability to gain 
weight" so severe that the 25-year-old woman has recently appeared on 
the verge of death. Kimberly Stewart, Rod Stewart's daughter and an 
early Hilton home-girl, was recently revealed to be suffering from some 
sort of liver disease precipitated by partying too hard. Paris' younger 
sibling Nicky was inspired to get into a quickie -- and quickly annulled 
-- marriage while partying with her sister in Vegas. Oil-heir Brandon 
Davis, egged on by Hilton, was moved to go on a Looney-Tunes tirade 
about actress Lindsay Lohan, in which he was videotaped calling her 
"firecrotch"; his grandmother soon packed him off to rehab. While he was 
dating Hilton, shipping heir Stavros Niarchos insulted a homeless man by 
offering him money to pour a drink over his head while Hilton and their 
other friends laughed. And Lohan, an arguably talented young actress who 
keeps on-and-off company with Hilton, appears closer to serious, party-
ravaged collapse every day. 
As for Spears, it took less than two weeks of exposure to Hilton before 
her vagina -- and C-section scar -- was hanging out all over the 
Internet, before she became the thinly disguised object of a gossip 
column blind item about drug use, and before she was back on Page Six 
for having Child Services breathing down her neck. 
It is surely fair to say that Hilton is not sticking her own finger down 
anyone's throat, or blowing drugs up their nasal passages, or pouring 
drinks down their gullets. She's certainly not the word-wizard behind 
the offensive and troubling -- but oddly poetic -- "firecrotch" epithet. 
But her proximity to the scene of every misfortune is enough to send 
frissons of exquisite terror down a spine. 
The other almost-supernatural aspect of Hilton's reign of harebrained 
horror is the way that she herself remains intact while those around her 
wither. Hilton is like some kind of Dorian Gray cockroach. While her 
buddies waste away and collapse and see their careers flushed down the 
celebrity toilet after having been in her presence, she grows stronger: 
appearing on more magazine covers, getting bigger record contracts, 
attracting more attention, sleeping with more of her fading friends' 
boyfriends. Even her Plasticine exterior seems unravaged by her 
excessive behaviors. 
She is, frustratingly, indestructible. Hilton has been caught on tape 
referring to two black friends as "dumb niggers." She has been arrested 
for drunk driving. She has peed herself in a taxicab in Hawaii. She has 
vomited onstage while singing her own songs. She has laughed like a 
retarded hyena as boyfriends like Davis and Niarchos have embarrassed 
themselves and ruined their own reputations. And yet, she has never had 
to go on Letterman to apologize; she has never had to meet with leaders 
of a community to make amends; she never even had to clean the taxi that 
she befouled. As a completely non-achieving celebrity, there are no 
higher moral, spiritual or intellectual expectations burdening the 
heiress. So she's a moronic, racist, boyfriend-stealing, talentless 
twit? Surprise. We never thought her anything better. 
There is no question that we are culpable, as readers and writers and 
photographers and Web surfers and consumers -- addicted to the empty 
calories and steady buzz of hating on Hilton. And though, like 
cigarettes or smack, most of us wish in our heart of hearts that we knew 
how to quit her, there's no realistic way to make that happen. Some have 
tried. Lloyd Grove even banned the heiress from his gossip column, but 
it didn't make her go away, not one little bit. So instead of 
unrealistic exhortations that we put down the crack pipe, perhaps it is 
more practical to push for simple recognition of what she is: Bad News. 
Paris Hilton is more than a punch-line-rich pest. She is poisonous and 
culty and insidiously evil, and her tyranny must end. Last week, as she 
spread like a rash to Spears, the scariest image was not Spears' nude 
lady-parts or the weird fishnet-trading Toulouse Lautrec get-up that 
Hilton arranged for the pair. It was a picture of the young women 
walking hand-in-hand, Hilton in a T-shirt that read "I'm Paris Hilton, I 
can do whatever I want." Next to her, Spears wore a shirt reading, "I'm 
Paris Hilton, I can do whatever I want." 
She must be stopped. Before she kills.
Perfect description.
I liked "succubutante" myself, but it's quite refreshing to see such 
literate writing in what is normally a subcuture (succubuculture) of 
journalistic hacks.  If only she had found a way to cut it down to a 
thousand words.
She peed herself in a taxi in Hawaii? Gross.
Mez
No, because Criss Angel really *does not* levitate, and David
Copperfield really *does not* make things disappear.
Wait, maybe you ARE right.
WHAT IF her BFFs are trying to keep up with someone who
isn't even injesting as many drinks and drugs as it appears
she's doing?     How else can she have no physical conse-
quences while everyone around her self-destructs?
Now we learn that Nicole Ritchie was full of Vicodin and
marijuana in her last night when she was arrested.
People suck up to Paris Hilton because it gets THEM publicity.
Meanwhile, being only a partial heiress, she charges hundreds
of thousands of dollars as "appearance fees".    She's like a
billboard.
Kris 
Billie
Except they should have spelled it "Parisite" ;)
Kris
It was a fun read, but it went a little overboard. She's not quite THAT
bad! And it was the Titney Spears flashing that finally set the author
over the edge? I didn't know that the Paris Hilton malaise was
responsible for the Nicole Simpson murder either. Case solved I guess.
Weren't vapid/bratty heiresses always in the public eye? She's merely
today's version of Stephanie and Caroline -- or Patty Hearst minus the
hideous beret.  I find her antics no more boring than Britney Spears'
or Lindsay Lohan's, and I don't really care about somebody's work ethic
or pedigree when it comes to bimbo gossip.
Fuck, no! Not one word!
Billie
Oh, I think she's way different from the princesses and certainly
Patty.  It's one thing to be periodically get caught partying
recklessly and getting pg pre marriage--another thing to do get
involved in one tremendously bizarre escapade that seems to come out of
nowhere--and altogether another to literally make a career out of being
everyone's worst nightmare for womankind.
I don't think the article was overwritten at all.  I actually think it
understresses the most demonic part--this act is her career.
Many people assume that since her name is "Hilton" she's not in it for
the money.  They're wrong.  If more realized she was earning a living
this way and not just amusing herself, they would put the same kind of
pressure on the people who write her paychecks that has ultimately
fallen on people like Hugh Grant, Michael Richards, Mel Gibson, et al.
Maybe she wouldn't be smart enough to care (because I don't think the
dumb part is an act), but the people might stop writing her checks, and
then she'd go away.
Eliza
> Many people assume that since her name is "Hilton" she's not in it for
> the money.  They're wrong.  If more realized she was earning a living
> this way and not just amusing herself, they would put the same kind of
> pressure on the people who write her paychecks that has ultimately
> fallen on people like Hugh Grant, Michael Richards, Mel Gibson, et al.
What makes you think that? Mel Gibson's crying all the way to the bank
with his latest cinematic gore orgy; Michael Richards couldn't have
been making very much of late anyway, and Hugh Grant's disheveled bit
of British schoolboy adorableness was bound to expire anyway.  I don't
think that the exceedingly undiscriminating public is out to punish the
morally vulgar by witholding funds;enough seem to worship Paris and buy
her perfumes and book and watch her TV shows to prove that.
Besides,  Jessica Simpson gets paid plenty as well. That's way more
offensive to me. At least Paris is kind enough to keep her singing to a
minimum.
I'm not talking anyone suffering actual financial repercussions--the
pressure I'm talking about was from fear.  All of them obviously felt
it and responded with terrified apologies right and left.  And they
sure didn't follow up with another episode of showing their asses
(metaphorically or actually). 
Eliza