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kay w

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Oct 16, 2002, 8:30:58 PM10/16/02
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Why do some movies open in LA and New York a week or two before they're
available in the rest of the country?

--
kay w
Address munged. AOL isn't necessarily comatose, evidence to the contrary not
withstanding.


Lalbert1

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Oct 16, 2002, 9:10:02 PM10/16/02
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In article <20021016203058...@mb-ch.aol.com>, scu...@aol.comatose
(kay w) writes:

>Why do some movies open in LA and New York a week or two before they're
>available in the rest of the country?

It's all part of the buzz for the film. N.Y. and L.A. are BIG movie markets,
and will produce the biggest *opening* box office sales. Opening sales are
reported on many news programs, and when a movie opens with big box office
sales then many other folks will go see it just because they think it's
something they should get with. For instance, last weekend the newsreader on
*local* CBS radio news reported that the new Madonna movie grossed only
$350,000 on its first Saturday opening (it must be some sort of all-time record
low opening). Aside from the fact that she has lost her audience, and the film
stinks, just hearing that boxoffice report will have a negative result. In the
words of Samuel Goldwyn, "They are staying away in droves.".

New York and L.A. opening dollar reports brings them into the effen tent.

Les


Al Yellon

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Oct 16, 2002, 9:30:28 PM10/16/02
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"Lalbert1" <lalb...@aol.com> wrote in message
news:20021016211002...@mb-cj.aol.com...

Along the same line, this is why movies that most of us won't see until
January 2003, will make it into the Oscar nomination categories for 2002.
They are specifically released in NY and LA by December 15, 2002, the
deadline for such things.

--
"If you're not part of the future, then get out of the way." -- John
Mellencamp


Mark Hanson

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Oct 16, 2002, 10:35:40 PM10/16/02
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"kay w" <scu...@aol.comatose> wrote in message
news:20021016203058...@mb-ch.aol.com...

> Why do some movies open in LA and New York a week or two before they're
> available in the rest of the country?

Because to be eligible for an Academy Award nomination, a movie must be
released in those two markets during the eligibility period; i.e., to get
nominated for something for the 2003 awards, it must be released in New York
and LA some time between 1/1/02 and 12/31/02. This leads to likely nominees
getting released in those 2 markets around Christmastime -- occasionally at
other times, as with "Punch-Drunk Love" -- and in wider release after the
beginning of the year.

In other cases it's simple to get some good buzz from the media in those
markets before the wider release. This is usually done with smaller movies
that don't have the marketing budget of, say, "Spider-Man."

Mark


Blinky the Shark

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Oct 17, 2002, 12:10:13 AM10/17/02
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On 17 Oct 2002 00:30:58 GMT, kay w wrote:
> Why do some movies open in LA and New York a week or two before they're
> available in the rest of the country?

I haven't hung a KICK ME sign on my back in years, so...

...because that's where it's happenin'.

--
Blinky T. "I wasn't BORN in L.A., mind you" Shark

Rick B.

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Oct 17, 2002, 8:07:55 AM10/17/02
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kay w wrote:
>
> Why do some movies open in LA and New York a week or two before they're
> available in the rest of the country?

Years ago this was pretty much the standard M.O. for film
distributors; The New York Times would always be running ads for
movies that hadn't yet opened in Philadelphia. When they got to Philly
they would play exclusively at a theater in Center City for at least a
week or two before opening in the suburbs. If you saw a TV commercial
for a major studio release, it was usually a local spot with a clip
from the trailer and a tag telling when it would start and which
theater it would be playing. Star Wars may have been the movie that
changed all this; I seem to remember that it had a much wider initial
release than was typical for the time.

Anny Middon

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Oct 17, 2002, 10:59:39 AM10/17/02
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"Rick B." <deep...@sprynet.com> wrote in message
news:3DAEA81B...@sprynet.com...

Hard to believe in these days of rampant suburban multiplexes and few
"downtown" theaters, but it used to be that if you wanted to see the hot new
movie, you had to go to the big city, where there were elegant and large
movie theaters. Eventually the movie might make it to your local,
one-screen theater.

Nowadays those big thaters are gone or converted (like the Chicago Theater
was) to a venue for live performances. Or actually I guess, converted
*back* to a venue for live performances.

Anny

Boron Elgar

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Oct 17, 2002, 11:20:00 AM10/17/02
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On Thu, 17 Oct 2002 09:59:39 -0500, "Anny Middon"
<An...@enteractNOSPAM.com> wrote:

>"Rick B." <deep...@sprynet.com> wrote in message
>news:3DAEA81B...@sprynet.com...
>> kay w wrote:
>> >
>> > Why do some movies open in LA and New York a week or two before they're
>> > available in the rest of the country?
>>
>> Years ago this was pretty much the standard M.O. for film
>> distributors; The New York Times would always be running ads for
>> movies that hadn't yet opened in Philadelphia. When they got to Philly
>> they would play exclusively at a theater in Center City for at least a
>> week or two before opening in the suburbs. If you saw a TV commercial
>> for a major studio release, it was usually a local spot with a clip
>> from the trailer and a tag telling when it would start and which
>> theater it would be playing. Star Wars may have been the movie that
>> changed all this; I seem to remember that it had a much wider initial
>> release than was typical for the time.
>
>Hard to believe in these days of rampant suburban multiplexes and few
>"downtown" theaters, but it used to be that if you wanted to see the hot new
>movie, you had to go to the big city, where there were elegant and large
>movie theaters. Eventually the movie might make it to your local,
>one-screen theater.


But even within the big city there were the fancier, often studio
owned, theaters that got first run big splashy movies at release &
neighborhood (but still well within the big city) ones that showed 2nd
run or 2nd run & a B movie on a double bill. And there was a whole
class of films that never got the splashy treatment at all, but opened
in the neighborhoods.

In those days, I don't think I even realized there were people who
*lived* outside of the city, let alone ever got movies to watch there.
City, Dark Matter, Another City, Some More Dark Matter.....

Boron

GrapeApe

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Oct 17, 2002, 10:14:13 PM10/17/02
to
>> Why do some movies open in LA and New York a week or two before they're
>> available in the rest of the country?

I always wonder if Chicago was regularly as priveleged. Siskel and Ebert had to
be seeing the advance showings SOMEWHERE.

JmG

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Oct 17, 2002, 10:47:01 PM10/17/02
to
On 17 Oct 2002 00:30:58 GMT, scu...@aol.comatose (kay w) wrote:

>|Why do some movies open in LA and New York a week or two before they're
>|available in the rest of the country?

There's something in between?

J

Jim Ellwanger

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Oct 18, 2002, 8:09:09 PM10/18/02
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In article <20021017221413...@mb-cp.aol.com>,
grap...@aol.comjunk (GrapeApe) wrote:

I have never seen a movie that was open only in New York, L.A., and
Chicago. Either a movie is playing only in New York and L.A., or it's
playing in a handful of largish cities (New York, L.A., Chicago, Boston,
San Francisco, et al.), or it's playing nationwide.

Movie critics almost always see movies at special advance screenings,
not open to the public, and when those screenings are held may have very
little to do with when the movie is actually playing in a city. My
mother's boyfriend reviews movies for the Sarasota Herald-Tribune, and
he went to a screening of "Spirited Away" in Tampa in mid-August. Two
months later, it hasn't yet opened in the Tampa Bay area.

--
Jim Ellwanger <trai...@mindspring.com>
<http://trainman1.home.mindspring.com> welcomes you daily.
"The days turn into nights; at night, you hear the trains."

Eric Boyd

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Oct 19, 2002, 2:08:17 AM10/19/02
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"Anny Middon" <An...@enteractNOSPAM.com> wrote in message
news:aomj6t$7pl$1...@bob.news.rcn.net...

> Nowadays those big thaters are gone or converted (like the Chicago Theater
> was) to a venue for live performances. Or actually I guess, converted
> *back* to a venue for live performances.

And there are even stranger ironies. The venerable Tower Theatre at
Westheimer and Waugh in Houston was converted from a movie palace to a live
venue. It is currently a giant-ass video rental place.

-E


StarChaser Tyger

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Oct 19, 2002, 3:01:22 AM10/19/02
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We get signal. What you say? It's "Eric Boyd" <se...@ev1.net> !

Your post is offensive to the gluteally gifted.
--
Visit the Furry Artist InFURmation Page! Contact information, which artists
do and don't want their work posted. http://web.tampabay.rr.com/starchsr/
Address no longer munged for the inconvienence of spammers.
(Yes, this really is me.)

Blinky the Shark

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Oct 19, 2002, 2:53:37 AM10/19/02
to
On Sat, 19 Oct 2002 01:08:17 -0500, Eric Boyd wrote:

> venue. It is currently a giant-ass video rental place.

Boy, oh, boy. Giant-ass videos. There's a niche market for every kink,
isn't there?

--
Blinky

Blinky the Shark

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Oct 19, 2002, 3:52:26 AM10/19/02
to
On Sat, 19 Oct 2002 07:01:22 GMT, StarChaser Tyger wrote:
> We get signal. What you say? It's "Eric Boyd" <se...@ev1.net> !
>
>>
>>"Anny Middon" <An...@enteractNOSPAM.com> wrote in message
>>news:aomj6t$7pl$1...@bob.news.rcn.net...
>>
>>> Nowadays those big thaters are gone or converted (like the Chicago Theater
>>> was) to a venue for live performances. Or actually I guess, converted
>>> *back* to a venue for live performances.
>>
>>And there are even stranger ironies. The venerable Tower Theatre at
>>Westheimer and Waugh in Houston was converted from a movie palace to a live
>>venue. It is currently a giant-ass video rental place.
>
> Your post is offensive to the gluteally gifted.

Expect to hear from the Steatopygic Defense League on Monday.

Warning! One pair of bare buttocks here:

http://snurl.com/jeans

My post is offensive to campers.

--
Blinky

StarChaser Tyger

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Oct 19, 2002, 11:44:29 AM10/19/02
to
We get signal. What you say? It's Blinky the Shark
<angels.ra...@box.invalid> !

Egad. Now I have a Sir Mix-a-lot song stuck in my head...

Blinky the Shark

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Oct 19, 2002, 4:57:55 PM10/19/02
to
On Sat, 19 Oct 2002 15:44:29 GMT, StarChaser Tyger wrote:
> We get signal. What you say? It's Blinky the Shark
><angels.ra...@box.invalid> !
>
>>On Sat, 19 Oct 2002 07:01:22 GMT, StarChaser Tyger wrote:
>>> We get signal. What you say? It's "Eric Boyd" <se...@ev1.net> !
>>>
>>>>
>>>>"Anny Middon" <An...@enteractNOSPAM.com> wrote in message
>>>>news:aomj6t$7pl$1...@bob.news.rcn.net...
>>>>
>>>>> Nowadays those big thaters are gone or converted (like the Chicago Theater
>>>>> was) to a venue for live performances. Or actually I guess, converted
>>>>> *back* to a venue for live performances.
>>>>
>>>>And there are even stranger ironies. The venerable Tower Theatre at
>>>>Westheimer and Waugh in Houston was converted from a movie palace to a live
>>>>venue. It is currently a giant-ass video rental place.
>>>
>>> Your post is offensive to the gluteally gifted.
>>
>>Expect to hear from the Steatopygic Defense League on Monday.
>>
>>Warning! One pair of bare buttocks here:
>>
>>http://snurl.com/jeans
>>
>>My post is offensive to campers.
>
> Egad. Now I have a Sir Mix-a-lot song stuck in my head...

Scary thing is, the photos don't show any signs of extreme wide-angle
lens use;, i.e., perspecive forcing on other objects.

--
Blinky

John Hatpin

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Oct 19, 2002, 6:11:42 PM10/19/02
to
Blinky the Shark wrote:

Photoshop is your friend.

--
John Hatpin

Boron Elgar

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Oct 19, 2002, 6:15:25 PM10/19/02
to

And with friends like that, who needs enemas?

Boron

Blinky the Shark

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Oct 19, 2002, 7:24:25 PM10/19/02
to
Pretty good job, if it is.

--
Blinky

John Hatpin

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Oct 19, 2002, 8:07:19 PM10/19/02
to
Blinky the Shark wrote:

>On Sat, 19 Oct 2002 23:11:42 +0100, John Hatpin wrote:
>> Blinky the Shark wrote:
>>
>>>On Sat, 19 Oct 2002 15:44:29 GMT, StarChaser Tyger wrote:
>>>> We get signal. What you say? It's Blinky the Shark
>>>><angels.ra...@box.invalid> !

[... space snippage - hope the attributions are correct ...]


>>>>>Warning! One pair of bare buttocks here:
>>>>>
>>>>>http://snurl.com/jeans
>>>>>
>>>>>My post is offensive to campers.
>>>>
>>>> Egad. Now I have a Sir Mix-a-lot song stuck in my head...
>>>
>>>Scary thing is, the photos don't show any signs of extreme wide-angle
>>>lens use;, i.e., perspecive forcing on other objects.
>>
>> Photoshop is your friend.
>
>Pretty good job, if it is.

Yes, it is. I'll hazard a guess that the images of the woman and the
background were processed separately and layered later - there's
something about that second picture, where the hand meets the tree,
that doesn't seem right. The angles don't add up.

Or maybe she just has an unfeasibly large arse.

--
John Hatpin

GrapeApe

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Oct 19, 2002, 8:32:09 PM10/19/02
to
>>>Scary thing is, the photos don't show any signs of extreme wide-angle
>>>lens use;, i.e., perspecive forcing on other objects.
>>
>> Photoshop is your friend.
>
>Pretty good job, if it is.

There are some pretty obvious jpeg artifacts, and a bad blurring.

The thing is, a fake may not be necessary. There are plenty of people with
that pear shape thing going on, where the upper body and torso get nearly none
of the fat storage contract, to the point where it appears two different people
have been welded together at the waist.

Bob Ward

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Oct 19, 2002, 8:39:32 PM10/19/02
to
On 19 Oct 2002 23:24:25 GMT, Blinky the Shark
<angels.ra...@box.invalid> wrote:

>-:>>
>-:>>Scary thing is, the photos don't show any signs of extreme wide-angle
>-:>>lens use;, i.e., perspecive forcing on other objects.
>-:>
>-:> Photoshop is your friend.
>-:
>-:Pretty good job, if it is.
>-:
>-:--
>-:Blinky


With reasonable depth of field, that shot would not need any help from
Photoshop. I've taken pictures of my nephews holding up fish that
looked to be 4 or 5 feet long, when held close to the camera.
--

The time for action is past! NOW is the time for the senseless bickering

Blinky the Shark

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Oct 19, 2002, 8:30:32 PM10/19/02
to

I don't see the hand problem. I will say that she's slightly bent over,
which would force the perspective a bit even with a normal lens
(defining "normal" in a conventional manner, such as 49-55mm focal
length for a 35mm film format). But surely not enough to explain that
kind of buttockitude.

--
Blinky

ctc...@hotmail.com

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Oct 19, 2002, 9:10:24 PM10/19/02
to
lalb...@aol.com (Lalbert1) wrote:
> In article <20021016203058...@mb-ch.aol.com>,
> scu...@aol.comatose (kay w) writes:
>
> >Why do some movies open in LA and New York a week or two before they're
> >available in the rest of the country?
>
> It's all part of the buzz for the film. N.Y. and L.A. are BIG movie
> markets, and will produce the biggest *opening* box office sales.
> Opening sales are reported on many news programs, and when a movie opens
> with big box office sales then many other folks will go see it just
> because they think it's something they should get with.

Well surely NY plus LA plus anyplace else is a bigger movie
market than NY plus LA alone.

Xho

--
-------------------- http://NewsReader.Com/ --------------------
Usenet Newsgroup Service

Lalbert1

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Oct 19, 2002, 9:31:00 PM10/19/02
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In article <20021019211024.029$C...@newsreader.com>, ctc...@hotmail.com writes:

>lalb...@aol.com (Lalbert1) wrote:
>> In article <20021016203058...@mb-ch.aol.com>,
>> scu...@aol.comatose (kay w) writes:
>>
>> >Why do some movies open in LA and New York a week or two before they're
>> >available in the rest of the country?
>>
>> It's all part of the buzz for the film. N.Y. and L.A. are BIG movie
>> markets, and will produce the biggest *opening* box office sales.
>> Opening sales are reported on many news programs, and when a movie opens
>> with big box office sales then many other folks will go see it just
>> because they think it's something they should get with.

>Well surely NY plus LA plus anyplace else is a bigger movie
>market than NY plus LA alone.

One would think so, but the film industry thinking is different. They open
more films in those cities because there are more newspapers and other media
outlets in New York and Los Angeles than any other cities. In addition, the
New York and L.A. publications (and TV stations) have large circulations and
have a reputation for taking film coverage very seriously.

Les

GrapeApe

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Oct 19, 2002, 9:59:27 PM10/19/02
to
>I don't see the hand problem. I will say that she's slightly bent over,
>which would force the perspective a bit even with a normal lens
>(defining "normal" in a conventional manner, such as 49-55mm focal
>length for a 35mm film format). But surely not enough to explain that
>kind of buttockitude.

Nature has many examples of that kind of buttockitude.

But it is not a lens trick.

It could very well be a bad photoshop job. Weird blur on jean waistband.
Larger than average jpeg artifact around arsecrack.

But steatopygs abound in nature. It is odd the first time you see one that may
be so clearly split, but that all storage below the waist stuff does happen,
with relatively normal proportions everywhere else.

One thing other than the image artifacts that makes this slightly more suspect
is that the transition when the difference is indeed that great, is often
rather shelf like, a sudden bloating rather than a curve.

But it could represent somebody's actual figure.

StarChaser Tyger

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Oct 19, 2002, 11:22:51 PM10/19/02
to
We get signal. What you say? It's Blinky the Shark
<angels.ra...@box.invalid> !

>On Sat, 19 Oct 2002 15:44:29 GMT, StarChaser Tyger wrote:
>> We get signal. What you say? It's Blinky the Shark
>><angels.ra...@box.invalid> !

>>>Warning! One pair of bare buttocks here:

>>>http://snurl.com/jeans

>>>My post is offensive to campers.

>> Egad. Now I have a Sir Mix-a-lot song stuck in my head...

>Scary thing is, the photos don't show any signs of extreme wide-angle
>lens use;, i.e., perspecive forcing on other objects.

I thought it was Photoshopped or something, but I don't know how to go
about proving same...

GrapeApe

unread,
Oct 19, 2002, 11:42:59 PM10/19/02
to
>
>I thought it was Photoshopped or something, but I don't know how to go
>about proving same...

You could look at it in Photoshop, and flip a few filters to enhance what has
been done, but your eyes and brain will do.

The most obvious clues, almost hidden by the compression artifacts, but not
quite really, are the blurs, the sloppy smudging tool smoothing. The right
jeans pocket, the band of the khakis. Looks as if it were done AFTER it had
been compressed once, that is the starting image was already a low quality jpeg
(The jpeg artifacts are most visible around the contour lines), and the
inherent noise was smeared away, before it was reassembled, probably
recompressed and posted.

But folks are actually shaped like that, so whats the point? I was shocked
when I saw the substitute sunday school teacher who was thin on top,
elephantine below, as that was the first time I had seen that disproportion,
but I've seen it several times since then in my life. (for fun, next time you
watch the news, imagine that the talking heads, the anchors, are shaped exactly
like this. Many of them you never see their legs...)

I also noticed as I get older, that people actually start looking like Al
Jaffee drawings (hes the guy that did the Mad Fold-In and Snappy Answers to
Stupid Questions, if you need a reference). I thought it was just one of those
cartooning style things that he would put pipe cleaner legs under a ball shaped
body with the pants barely hanging on, but you stand in line at enough
McDonalds or WalMarts, you see that it wasn't imaginative fancy as much as
shrewd observation at work.

StarChaser Tyger

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Oct 19, 2002, 11:50:13 PM10/19/02
to
We get signal. What you say? It's grap...@aol.comjunk (GrapeApe) !

>I also noticed as I get older, that people actually start looking like Al
>Jaffee drawings (hes the guy that did the Mad Fold-In and Snappy Answers to
>Stupid Questions, if you need a reference). I thought it was just one of those
>cartooning style things that he would put pipe cleaner legs under a ball shaped
>body with the pants barely hanging on, but you stand in line at enough
>McDonalds or WalMarts, you see that it wasn't imaginative fancy as much as
>shrewd observation at work.

Heh. I live in Florida. I see old men in hats wearing pants that they
HAVE to have a bolt set into their breastbone to hold them up under
their armpits...

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