Found this blog entry, quite by conincidence, comparing Pitch
Black with Prometheus:
Well, okay it’s true Prometheus does feature monster effects that
look like they cost about 50p to make and came courtesy of the
reject pile from Fraggle Rock. It’s true that the planetary
vistas look like a widescreen version of some
shot-in-a-Welsh-quarry episode of Doctor Who or Blake’s Seven.
(And, somehow – don’t ask me how, I’m just the consumer here –
both monsters and planet manage to look less convincing than
their 33 year old FX counterparts in the original Alien). It’s
true that the script is littered with painfully crude Christian
agit-prop, a factor made even more gapingly obvious by the
deleted scenes my DVD copy came with. But these things, oddly
enough, are not what makes Prometheus such a profoundly
dispiriting experience to watch. Or at least, it’s not just
those things……
See, I wanted to be fair. I wanted to be sure this wasn’t my
inner Alien geek sulking because Prometheus didn’t live up to my
fond teenage recollections of the original movie. I wanted to be
sure it wasn’t my atheism, profoundly irritated by the invocation
of gaahhd in conversations between supposedly hard-nosed adult
professionals.
So, I went back and watched Pitch Black again, and lo and behold,
despite the dodgily imagined alien world and the derivative
monsters, Pitch Black is a great little movie. Sure, it’s not
paradigm-shifting or iconic in the way Alien was (its monsters
are borrowed more or less wholesale from Geiger stock, for one
thing), but then few movies are. But the stock characters in
Pitch Black behave in a way that’s coherent throughout; the
religious ones strike interesting dialogue sparks off Vin
Diesel’s avowedly materialist protagonist (and the religion
itself is a decently imagined future faith, rather than something
cut and pasted from contemporary middle class, middle American
bible class); the narrative spine of the movie is tight and
strong. You care about the characters, you care about the
outcome, there ae some truly powerful moments (eg – did not know
who he was fucking with!) and even a few small surprises thrown
in. From pretty much the outset, your emotions are firmly
engaged.
http://www.richardkmorgan.com/news/919/something-beginning-with-p/