BOB DYLAN IS A RACIST PIG
aj
called RightWing Bob What the Liberal Media Doesn’t Want You To Know
About Bob Dylan This book uses classical hermeneutics to unearth the
subcontent of Bob Dylan’s poetry. In the future scholars will
conclude Bob Dylan was the William Shakespeare of his time; A. J.
Weberman knows this now. This book goes against all established
Liberal thought about Dylan so it will not be well received or widely
reviewed, despite its impeccable scholarship. The book reveals that:
Dylan poems such as Blowin In the Wind and Like A Rolling Stone
contain embedded racist subcontent praising apartheid. Bob Dylan, icon
of the Civil Rights Movements, wanted to see African Americans Blowin'
in the Wind, as they swayed from the business end of a lynch rope in a
cool Southern breeze. It is no accident that Dylan has a painting of
contented slaves on a Southern plantation hanging in a restaurant he
owns in Santa Monica.
BLOWIN’ IN THE WIND 1962
How many roads must a man walk down
Before you call him a man?
Yes, 'n' how many seas must a white dove sail
Before she sleeps in the sand?
Yes, 'n' how many times must the cannon balls fly
Before they're forever banned?
The answer, my friend, is blowin' in the wind
The answer is blowin' in the wind.
“How many roads” how many courses in life “must a man” must a nigger
“walk down” take such as rape, murder, theft, the creation of
dangerous public schools and generations of single welfare mothers
“Before you call him a man?” before the Whites realize that the nigger
is a genetically inferior being who can never amount to anything more
than a male servant, a subordinate, “man” as in ‘Man Friday’ which is
more like a “boy” (unless “man” had two meanings the first two lines
of Blowin’ In The Wind are redundant). “Yes, 'n' how many seas must a
white dove sail” how long will it take before White supremacist
apartheid (who ever heard of a black dove?) that brought racial peace
and stability to South Africa, sails effortlessly across the ocean to
America “Before she sleeps in the sand?” and becomes a part of America
history? “Yes, 'n' how many times must the cannonballs fly” how many
times must the niggers become suddenly enraged, commit gun crimes ‘fly
off the handle’ “Before they're forever banned?” before they are
treated in the same way as South Africa treats its niggers? Under the
former system of apartheid, “banned” meant to deprive a person
suspected of illegal activity of the right of free movement and
association with others “The answer” the answer to the ‘Negro
question’ in America “my friend, is blowin'” is spreading “in the
wind” in something that destroys “wind” as in ‘The winds of war.’ On
another level the answer is to treat niggers as they did in the Old
South, the answer is in White vigilantism, lynch ‘em and let ‘em blow
(cause to move by means of a current of air) in the wind! Billie
Holliday, Strange Fruit, “Southern trees bear a strange fruit / Blood
on the leaves and blood at the root / Black bodies swinging in the
southern breeze / Strange fruit hanging from the poplar trees.”
There were many other racist poems:
LIKE A ROLLING STONE 1966
You used to ride on the chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain't it hard when you discovered that
He really wasn't where it's at
After he took from you everything he could steal
“You used to ride” you used to allow to continue without interference,
you used to support “on the chrome horse” candidates who supported
regimes that practiced apartheid (South Africa is the world’s biggest
producer of chrome) “with your diplomat” and your government had
diplomatic relations with them while the South Africans “carried on
his shoulder” shouldered a burden, the White Man’s Burden of having to
uplift inferior races and cultures such as “a Siamese” a closely
connected or very similar; twin “cat” slang for a Black man, the South
Africans also have to deal with the burden of living with niggers
“Ain't it hard when you discovered that” ain’t it hard for Whites to
really believe “He really wasn't where it's at” that apartheid was an
evil system and was worthy of economic and political sanctions “After
he took from you everything he could steal” after you learned that
apartheid was “stolen” from Jim Crow a practice that originated with
Whites in America. “Steal” to use, appropriate, or preempt the use of
another's idea. In other words, apartheid is as American as apple pie.
PLEASE CRAWL OUT YOUR WINDOW 1966
Why does he look so righteous while your face is so changed
Are you frightened of the box you keep him in
While his genocide fools and his friends rearrange
Their religion of the little ten women
That backs up their views but your face is so bruised
Come on out the dark is just beginning.
“Why does he look so righteous” why does he think what he is doing to
White people is morally justifiable “while your face” while your race
“is so changed” is being changed and polluted by the Civil Rights
Movement “Are you frightened of the box you keep him in” are you
afraid of the ballot box, are you afraid to vote for Republicans who
don’t believe in integration? “While his genocide fools” while the
Democratic Party’s race mixing, mix master politicians who plan to
dilute, then virtually exterminate, the White race through
miscegenation “and his friends” and their friends; the Earl Warren
Supreme Court “rearrange” put into a new social order and arrangement
“Their religion of the” “religion” a cause pursued with zeal; such as
that of an activist jurist “little ten women” of the Supreme Court of
the United States with less (little) than ten justices “That backs up
their views” that supports the Democrats push for Civil Rights and
integration with their legal decisions such as Brown v. Board of
Education “but your face is so bruised” but it is your race that is
being blackened, discolored, niggerized, by being forced to associate
with a bunch of porch monkeys “Come on out” sarcastic; Come on, be
part of it “the dark” the race mixing with the darkies “is beginning”
has just taking its first steps to fruition.
The book explains why Dylan married a Black woman if he had these
feelings about African-Americans. Dylan despised Communists and wanted
to see them shipped off to the USSR so they could get a taste of what
Communism was really like. He would have been overjoyed if a
"President Goldwater" had nuked the Sovs back into the Stone Age.
GATES OF EDEN 1965
The savage soldier sticks his head in sand
And then complains
Unto the shoeless hunter who's gone deaf
But still remains
Upon the beach where hound dogs bay
At ships with tattooed sails
Heading for the Gates of Eden
“The savage soldier” sarcastic; General Dwight Eisenhower accused by
the far Right of being soft on Soviet Communism “sticks his head in
sand” ignores historical precedents like an ostrich “And then
complains" then bitches about Soviet expansionism in Cuba? “Unto the
shoeless” unto Nikita Khrushchev who took his shoe off and banged it
on the Soviet Delegations desk at the United Nations in 1960 “hunter”
John Fitzgerald Kennedy: “Khrushchev reminds me of the tiger hunter
who has picked a place on the wall to hang the tiger's skin long
before he has caught the tiger. This tiger has other ideas.” “who's
gone deaf” who ignores President Eisenhower’s complaints “But still
remains” but nonetheless remains “Upon the beach” in a protected area,
the United Nations “where hound dogs” diplomats “bay” express by
barking and howling; ‘A mob baying its approval’ “At ships” at
revolutions as in The Hour That The Ship Comes In 1963 “with tattooed
sails” with an indelible mark and design such as a Red Star “Heading
for the Gates of Eden” trying to destroy America by penetrating its
borders.
Dylan’s poems reveal he supported the Palestinian Intifada and has
compared Israel’s treatment of the Palestinians to the Nazis treatment
of the Jews. Dylan is HIV Positive and some of his poetry deals with
this illness. That is why he almost died of disseminated
histoplasmosis and why he was picked up by police wandering around
Long Branch, New Jersey in the pouring rain.
This book stands out in its complexity. It is the first to give any
real insight into the meaning of Dylan’s poems. If I were a debutante
out of Swarthmore who just published her first novel you would review
it. But you are probably going to ignore a mythical figure in American
literature like me who, according to Google, is mentioned in 480
books, because of the controversial nature of the subcontent that I
have decrypted and how I have expressed it. If in fact Dylan is a
racist he going to think in terms of nigger and porch monkey and coon
not African American. I am not here to cover up for Bob Dylan like the
rest of the journalists on the scene. I am here to expose him. I am A
J WEBERMAN. INFO 917-374-7024 or visit Dylanology.org.
Will Dockery
AJ, I recently found your 1970 (?) telephone interviews on YouTube, in
several parts... I'd read about them for years but never had the
chance to hear them until now... I don't always agree with your
analysis of Dylan, but it sure is interesting insight. And, it seems
that time has shown much of what you discovered in Dylan's lyrics have
turned out to be true... I really hope the racist accusations are
wrong, of course!
--
"Red Lipped Stranger & other stories" by Will Dockery:
http://www.myspace.com/willdockery
=z=
Just goes to show how one can put a spin on anything...
I guess the line; “Wild horses, couldn’t drag me away”
Would interpret as:
People from the Middle East are guilty of racist to animals. Blowing
up themselves, dragging everyone out with them…(cows being the one
exception)…and the Rolling Stones are the enemy of the world…and
Dylan’s got their back. Eh?
=z=
Will Dockery
"=z=" <shul...@gmail.com> wrote in message
news:985eeff0-1afb-47cc...@m20g2000vbp.googlegroups.com...
On Nov 5, 12:40 pm, Will Dockery <will.dock...@gmail.com> wrote:
> On Nov 5, 12:22 pm, aj <rightwingbo...@gmail.com> wrote:
>
> > The inventor of Dylanology, A. J. Weberman, is out with a new book
> > About Bob Dylan This book uses classical hermeneutics to unearth the
> > conclude Bob Dylan was the William Shakespeare of his time; A. J.
> > Weberman knows this now. This book goes against all established
> > Liberal thought about Dylan so it will not be well received or widely
> > reviewed, despite its impeccable scholarship. The book reveals that:
> > Dylan poems such as Blowin In the Wind and Like A Rolling Stone
> > contain embedded racist subcontent praising apartheid. Bob Dylan, icon
> > of the Civil Rights Movements, wanted to see African Americans Blowin'
> > in the Wind, as they swayed from the business end of a lynch rope in a
> > cool Southern breeze. It is no accident that Dylan has a painting of
> > contented slaves on a Southern plantation hanging in a restaurant he
> > owns in Santa Monica.
>
>
> > How many roads must a man walk down
> > Before you call him a man?
> > Yes, 'n' how many seas must a white dove sail
> > Before she sleeps in the sand?
> > Yes, 'n' how many times must the cannon balls fly
> > Before they're forever banned?
> > The answer, my friend, is blowin' in the wind
> > The answer is blowin' in the wind.
>
> > �walk down� take such as rape, murder, theft, the creation of
> > dangerous public schools and generations of single welfare mothers
> > is a genetically inferior being who can never amount to anything more
> > more like a �boy� (unless �man� had two meanings the first two lines
> > of Blowin� In The Wind are redundant). �Yes, 'n' how many seas must a
> > white dove sail� how long will it take before White supremacist
> > apartheid (who ever heard of a black dove?) that brought racial peace
> > and stability to South Africa, sails effortlessly across the ocean to
> > history? �Yes, 'n' how many times must the cannonballs fly� how many
> > times must the niggers become suddenly enraged, commit gun crimes �fly
> > off the handle� �Before they're forever banned?� before they are
> > treated in the same way as South Africa treats its niggers? Under the
> > suspected of illegal activity of the right of free movement and
> > question� in America �my friend, is blowin'� is spreading �in the
> > wind� in something that destroys �wind� as in �The winds of war.� On
> > another level the answer is to treat niggers as they did in the Old
> > (cause to move by means of a current of air) in the wind! Billie
> > on the leaves and blood at the root / Black bodies swinging in the
>
> > There were many other racist poems:
>
> > LIKE A ROLLING STONE 1966
> > You used to ride on the chrome horse with your diplomat
> > Who carried on his shoulder a Siamese cat
> > Ain't it hard when you discovered that
> > He really wasn't where it's at
> > After he took from you everything he could steal
>
> > you used to support �on the chrome horse� candidates who supported
> > regimes that practiced apartheid (South Africa is the world�s biggest
> > producer of chrome) �with your diplomat� and your government had
> > diplomatic relations with them while the South Africans �carried on
> > his shoulder� shouldered a burden, the White Man�s Burden of having to
> > uplift inferior races and cultures such as �a Siamese� a closely
> > connected or very similar; twin �cat� slang for a Black man, the South
> > Africans also have to deal with the burden of living with niggers
> > really believe �He really wasn't where it's at� that apartheid was an
> > evil system and was worthy of economic and political sanctions �After
> > he took from you everything he could steal� after you learned that
> > apartheid was �stolen� from Jim Crow a practice that originated with
> > Whites in America. �Steal� to use, appropriate, or preempt the use of
> > another's idea. In other words, apartheid is as American as apple pie.
>
> > PLEASE CRAWL OUT YOUR WINDOW 1966
>
> > Why does he look so righteous while your face is so changed
> > Are you frightened of the box you keep him in
> > While his genocide fools and his friends rearrange
> > Their religion of the little ten women
> > That backs up their views but your face is so bruised
> > Come on out the dark is just beginning.
>
> > White people is morally justifiable �while your face� while your race
> > �is so changed� is being changed and polluted by the Civil Rights
> > Movement �Are you frightened of the box you keep him in� are you
> > afraid of the ballot box, are you afraid to vote for Republicans who
> > Democratic Party�s race mixing, mix master politicians who plan to
> > dilute, then virtually exterminate, the White race through
> > Supreme Court �rearrange� put into a new social order and arrangement
> > �Their religion of the� �religion� a cause pursued with zeal; such as
> > that of an activist jurist �little ten women� of the Supreme Court of
> > the United States with less (little) than ten justices �That backs up
> > their views� that supports the Democrats push for Civil Rights and
> > integration with their legal decisions such as Brown v. Board of
> > being blackened, discolored, niggerized, by being forced to associate
> > part of it �the dark� the race mixing with the darkies �is beginning�
> > has just taking its first steps to fruition.
>
> > The book explains why Dylan married a Black woman if he had these
> > feelings about African-Americans. Dylan despised Communists and wanted
> > to see them shipped off to the USSR so they could get a taste of what
> > Communism was really like. He would have been overjoyed if a
> > "President Goldwater" had nuked the Sovs back into the Stone Age.
>
> > GATES OF EDEN 1965
>
> > The savage soldier sticks his head in sand
> > And then complains
> > Unto the shoeless hunter who's gone deaf
> > But still remains
> > Upon the beach where hound dogs bay
> > At ships with tattooed sails
> > Heading for the Gates of Eden
>
> > the far Right of being soft on Soviet Communism �sticks his head in
> > sand� ignores historical precedents like an ostrich �And then
> > complains" then bitches about Soviet expansionism in Cuba? �Unto the
> > shoeless� unto Nikita Khrushchev who took his shoe off and banged it
> > on the Soviet Delegations desk at the United Nations in 1960 �hunter�
> > John Fitzgerald Kennedy: �Khrushchev reminds me of the tiger hunter
> > who has picked a place on the wall to hang the tiger's skin long
> > gone deaf� who ignores President Eisenhower�s complaints �But still
> > remains� but nonetheless remains �Upon the beach� in a protected area,
> > the United Nations �where hound dogs� diplomats �bay� express by
> > barking and howling; �A mob baying its approval� �At ships� at
> > revolutions as in The Hour That The Ship Comes In 1963 �with tattooed
> > sails� with an indelible mark and design such as a Red Star �Heading
> > for the Gates of Eden� trying to destroy America by penetrating its
> > borders.
>
> > Dylan�s poems reveal he supported the Palestinian Intifada and has
> > compared Israel�s treatment of the Palestinians to the Nazis treatment
> > of the Jews. Dylan is HIV Positive and some of his poetry deals with
> > this illness. That is why he almost died of disseminated
> > histoplasmosis and why he was picked up by police wandering around
> > Long Branch, New Jersey in the pouring rain.
>
> > This book stands out in its complexity. It is the first to give any
> > out of Swarthmore who just published her first novel you would review
> > it. But you are probably going to ignore a mythical figure in American
> > literature like me who, according to Google, is mentioned in 480
> > books, because of the controversial nature of the subcontent that I
> > have decrypted and how I have expressed it. If in fact Dylan is a
> > racist he going to think in terms of nigger and porch monkey and coon
> > not African American. I am not here to cover up for Bob Dylan like the
> > rest of the journalists on the scene. I am here to expose him. I am A
> > J WEBERMAN. INFO 917-374-7024 or visit Dylanology.org.
>
> AJ, I recently found your 1970 (?) telephone interviews on YouTube, in
> several parts... I'd read about them for years but never had the
> chance to hear them until now... I don't always agree with your
> analysis of Dylan, but it sure is interesting insight. And, it seems
> that time has shown much of what you discovered in Dylan's lyrics have
> turned out to be true... I really hope the racist accusations are
> wrong, of course!
>
> --
> "Red Lipped Stranger & other stories" by Will
> Dockery:http://www.myspace.com/willdockery
Just goes to show how one can put a spin on anything...
I guess the line; �Wild horses, couldn�t drag me away�
Would interpret as:
People from the Middle East are guilty of racist to animals. Blowing
up themselves, dragging everyone out with them�(cows being the one
exception)�and the Rolling Stones are the enemy of the world�and
Dylan�s got their back. Eh?
=z=
//Yeah, the Stones certainly did seem to project that image, the
Anti-Beatles for quite a while there, Altamont, "Sympathy For The Devil" &
all that...
George Dance
> called RightWing Bob What the Liberal Media Doesn’t Want You To Know
> About Bob Dylan This book uses classical hermeneutics to unearth the
> subcontent of Bob Dylan’s poetry.
'Hermeneutics' is just a fancy word for 'interpretation.' Any fool can
come up with a hidden interpretation of a text; the scholar's job is
to show why one interpretation is preferable to any other.
> In the future scholars will
> conclude Bob Dylan was the William Shakespeare of his time; A. J.
> Weberman knows this now. This book goes against all established
> Liberal thought about Dylan so it will not be well received or widely
> reviewed, despite its impeccable scholarship.
See above. 'Scholarship' involves more than interpreting a text; it
also entails showing that that interpretation is to be preferred over
other interpretations.
> The book reveals that:
> Dylan poems such as Blowin In the Wind and Like A Rolling Stone
> contain embedded racist subcontent praising apartheid. Bob Dylan, icon
> of the Civil Rights Movements, wanted to see African Americans
> Blowin' in the Wind,
> as they swayed from the business end of a lynch rope in a
> cool Southern breeze.
Well, let's see how well the book establishes that.
> It is no accident that Dylan has a painting of
> contented slaves on a Southern plantation hanging in a restaurant he
> owns in Santa Monica.
>
Did Dylan buy or choose the painting? Has he seen it? Has he even been
to the restaurant? Does the book explain whether he's see it or not?
> BLOWIN’ IN THE WIND 1962
>
> How many roads must a man walk down
> Before you call him a man?
> Yes, 'n' how many seas must a white dove sail
> Before she sleeps in the sand?
> Yes, 'n' how many times must the cannon balls fly
> Before they're forever banned?
> The answer, my friend, is blowin' in the wind
> The answer is blowin' in the wind.
>
The first two lines probably are about African Americans, so let's
look at the book's 'intepretation' of those.
> “How many roads” how many courses in life “must a man” must a nigger
> “walk down” take such as rape, murder, theft, the creation of
> dangerous public schools and generations of single welfare mothers
> “Before you call him a man?” before the Whites realize that the nigger
> is a genetically inferior being who can never amount to anything more
> than a male servant, a subordinate, “man” as in ‘Man Friday’ which is
> more like a “boy”
Well, that's an interesting interpretation of the two lines; but how
does the book show that it's preferred to this one:
How much do African Americans have to do (and how long will it take)
until you realize that they're human beings no different from you?
> (unless “man” had two meanings the first two lines
> of Blowin’ In The Wind are redundant).
That's the closest thing I've seen to an argument for the book's
interpretation, and it's not a very good one. One doesn't have to
postulate 'two meanings' of the same word in order to see that the two
lines use the word in different ways. The first line points out that
they are men; the second asks when you're going to recognize that.
<snip for focus>