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Actor's Text monologue pages : http://biomechanics.vtheatre.net/mono.html
character study -- Part I and II in biomechanics webpages (see subdirectories).
3 Sisters, Chekhov
ANDREY. What's become of my past, when I was young, happy, and clever, when my dreams and thoughts were exquisite, when my present and my past were lighted up by hope? Why on the very threshold of life do we become dull, drab, uninteresting, lazy, indifferent, useless, unhappy?... Our town has been in existence for two hundred years -- there are a hundred thousand people living in it; and there's not one who's not like the rest, not one saint in the past, or the present, not one man of learning, not one artist, not one man in the least remarkable who could inspire envy or a passionate desire to imitate him... They only eat, drink, sleep, and then die... others are born, and they also eat and drink and sleep, and not to be bored to stupefaction they vary their lives by nasty gossip, vodka, cards, litigation; and the wives deceive their husbands, and the husbands tell lies and pretend that they see and hear nothing, and an overwhelmingly vulgar influence crushes the children, and the divine spark is quenched in them and they become the same sort of pitiful, dead creatures, all exactly alike, as their fathers and mothers... The present is hateful, but when I think of the future, it's so nice! I feel so light-hearted, so free. A light dawns in the distance, I see freedom. I see how I and my children will become free from sloth, from beer, from goose and cabbage, from naps after dinner, from mean, parasitic living... [in a rush of tender feeling]. My dear sisters, my wonderful sisters! [Through tears] Masha, my sister!
Comedy: Chekhov's Farces
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textbook : Aim (Objective) and Obstacle
Actor's Text: Text breakdown and space. Second Monologue -- biomechanics.vtheatre.newt/1
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