If the color of the lighting is the same in these situations then the profile should be valid. The light-modifiers may have a slight cast, and the surroundings may reflect different colors.
The instructions about having two lights at 45-degress has to do with having even lighting on the CC, because a gradient or vignetting can confuse the profile-calculation process.
Back when I was using the script, I shoot the CC in several different lighting situations, and put the color-temp and tint in the profile name so I could choose the right one based on the WB of a particualr image. My suite of calibrations had Incandescent, Fluorescent, Daylight, Cloudy, Shade, Sunset, Twilight, Sodium Vapor, as well as a few specialized ones like Sunny-Behind-the-House for shooting flowerrs in the garden because my house has a large red-brick wall and pale-blue upper-story that give some color-cast to anything I shoot in the garden if the sun is more on the house than the flowers, so I wanted to correct for that particular environmental situation.
Now with the DNG Profile Editor, I create a dual-color script that has Incandescent and Daylight profiles and so ACR or Lightroom can interplation between them. I still have spearate profiles for extreme situations such as the mercury vapor arena lighting or sunset or twilight, but can get buy with my single dual-color-table profile for most outdoor and indoor photos.