There are evangelical manifestos, which may prove useful.
Shawn David Young, Ph.D.
Assistant Professor
Department of Visual & Performing Arts
Clayton State University
http://a-s.clayton.edu/vpa/Faculty/Young.htm
http://www.interfolio.com/portfolio/ShawnYoung
http://experts.patheos.com/expert/shawndavidyoung/
http://www.linkedin.com/pub/shawn-young/13/777/763
--
Shawn David Young, Ph.D.
Assistant Professor
Department of Visual & Performing Arts
Clayton State University
http://a-s.clayton.edu/vpa/Faculty/Young.htm
http://www.interfolio.com/portfolio/ShawnYoung
http://experts.patheos.com/expert/shawndavidyoung/
http://www.linkedin.com/pub/shawn-young/13/777/763
What great questions and a nice resource list we're compiling here!
In addition to the resources already suggested (which have probably
largely covered what you were going for!), I would also recommend
historian John Turner's "Bill Bright and Campus Crusade for Christ: The
Renewal of Evangelicalism in Postwar America." (UNC Press 2008) It
provides a nice overview of changing definitions of evangelical,
fundamental, and pentecostal and the cultural implications thereof.
Monique also modestly didn't list her own dissertation as having a nice
discussion of the topic.
Following Duncan's introducing the related subject of mainline vs.
evangelical...that distinction, although previously oddly theological
(odd following Herb's pointing out that nearly all Christians are
technically evangelical) has become more of a cultural marker of
difference within white Christian circles. I cover that issue in a
sub-chapter of my dissertation (which is currently waiting for
administrative balls to get rolling for a defense). I've touched on
this briefly in some publications, and the upcoming Oxford Handbook of
World Christianities should have a number of relevant articles.
But, sorry, I've got nothing on evangelicals and Christian people of
color that hasn't already been put forward here.
Good luck with your project, and please let us know when/where we can
read it/listen to it!
Best,
Deborah Justice
Quoting Duncan Vinson <duncan...@gmail.com>:
--
Deborah Justice
PhD Candidate, Department of Folklore and Ethnomusicology
Indiana University
I have a literature/personal research experience question for the list.
Think Worship Wars, think of Traditional and Contemporary worship
musics. If you think Contemporary, what would you describe as "typical"
instrumentation? How would your expectation of instrumentation change
if you're thinking in Sunday service vs abstract Contemporary "ideal?"
In a more baited question, are you expecting a guitarist or a keyboard
player to be leading worship? Would this expectation change given a
mainline vs. evangelical context? (yes, I know these [can] overlap)?
Feel free to comment on various racial/ethnic settings (although my
research focuses on mainline Protestants [~98% white]) Do we have any
literature that points toward these expectations?
Thanks very much,
Deborah Justice
Indiana University
As a former worship leader, I would say what was "typical" for us (at
least what we sought, depending on availability) was drums, electric
guitar, bass guitar, acoustic, keys (electric or acoustic) and
*perhaps* horns, such as sax. But this seems to change with
mainliners. As one who now affiliates more with
mainline/liberal/progressive I find that historically, the better
bands are part of conservative, evangelical congregations (as well as
Pentecostal/Charismatic). There is a great lack of modern music in
progressive churches, and hopefully that will change.
Shawn David Young, Ph.D.
Assistant Professor
Department of Visual & Performing Arts
Clayton State University
Shawn...@mail.clayton.edu
(678) 466-4758
http://faculty.clayton.edu/syoung26
--
Shawn
--
From: Deborah Justice <drju...@indiana.edu>
To: Sacred/Religious Music SIG <SRM...@googlegroups.com>
Sent: Saturday, January 28, 2012 1:10 PM
Subject: Re: [SRM-SIG] Defining "evangelical"
Hi Anna
I too would find PDF’s of these articles very useful if they are available. I have a couple of students doing dissertations in this subject area.
Kind Regards
Paul
Dr Paul Carr
Head of The Music Academy
Room CA409
Cardiff School of Cultural & Creative Industries The Atrium
86 - 88 Adam Street
Cardiff
CF24 2FN
Tel. 01443 668617
Mob. 07824623572
Thanks for the helpful and interesting responses.
I know that the category labels Contemporary and Traditional are
problematic and assume various meanings/connotations with relation to
various ethnic groups/scenes/etc. However, as this discussion has
teased out, these terms are just beginning to be the subject of
critical unpacking within ethnomusicology. The Worship Wars and
Contemporary-Traditional are by no means applicable to all Christianity
around the world (or even within North America). However, this doesn't
mean that we should/get to avoid dealing with them. Addressing these
categories in terms of white mainline worship is, in my opinion, just
as important as addressing them in the context of a
hegemonically-corrective counter-narrative. If we don't talk about
their applications in various contexts, we'll never get anywhere. So,
thanks very much for the helpful suggestions in positioning these
musics alongside all others as the legitimate objects of ethnographic
study.
Best,
Deborah Justice